


The devas became incorporated in various depictions of Buddhist legends. In Afghanistan (e.g., Shotorak), these supple figures surround bas relief images of Maitreya (the future Buddha or "Messiah") and Siddhartha (the historical Buddha) enthroned.
The Gandharvas are music-playing genii (devas) ruled by Dhrtarastra, the Great King of the Eastern Sky. The flying Apsaras are celestial figures forming one of the eight categories of supernatural beings in Buddhist cosmology developed in its iconography. The most famous is perhaps Pancaskikha, the harp playing companion and charioteer for Sakra (Indra).
Variations of these graceful figures filled the transcendent scenes of the Buddhist legends with increasing frequency. But they already seem to have served in the early Buddhist sects to express the superhuman destiny of the Buddha. In Bamiyan [former Afghan site of the largest Buddha statues in the world], for example, they contributed to an atmosphere of celestial glory.Richly adorned and wearing sophisticated princely garments, the Gandharvas have generally been given masculine features, while the Apsaras assumed a feminine appearance despite the indeterminate sex of such supernatural creatures.
Lokapalas ("Four Great Kings")
Trees are life-sustaining along the Himalayan foothills from Afghanistan to India (fullstopindia.com).The Getty and many other top American museums are part of a long history of illicit art trade. Looted art has been trafficked for as long as art has been in existence, and Frammolino says this is due to the overpowering effects of antiquity. Aprodite is the stone goddess (pictured above), from Felch and Frammolino's new book: Chasing Aphrodite: The Hunt for Looted Antiquities at the World's Richest Museum [the Getty].
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