Thursday, April 11, 2024

Wisdom of the East in Haiku (Alan Watts)

What is "zen"? It is jhana (Sanskrit dhyana, Chinese chan) or "meditative absorption" (WQ).

The simplest and most advanced form of art

Alan Watts is a British-American Zen genius
Alan Watts is translating haiku, which is regarded as the more sophisticated for its apparent artlessness, direct and unadorned.
  • Haiku is not anything one wants to say in 17 syllables, as we are taught in the US, nor is it a rhyme. It is 17 on (phonetic units in Japanese) with no English equivalent. So, lacking an equivalent (of what linguists might call a phoneme or chunk), we have substituted syllables.
(IntelligenceExplosion) The lectures, books, and teachings of Alan Watts are commemorated at alanwatts.org. (More can also be found at alanwatts.com lovingly run by his son).

Why are haiku good? They are following many rules we are not told in English, where we just count syllables and chase pseudo-depth with something snappy and terse. "Brevity is the heart of wisdom." And of all the great haiku that ever came from the West, I have never heard something to rival the great American gay Jewish NAMBLA member Beat Poet Allen Ginsberg, author of Howl, or was it one-time Buddhist Jack Kerouac, author of The Dharma Bums and On the Road, perhaps Sephardic Jew Lawrence Ferlinghetti or American humorist Kurt Vonnegut.

Someone in the 1960s wrote a genius three-word punchline (copied by droll comedian or reprehensible copycat Michael Lowenberg, who dared submit it as an original thought in 2022) that repeated Internet searches do not find. I am forced to compose a facsimile from memory:

walking down the street
i look up, see a pigeon
then hear a high coo

2022 WINNER:
a cicada’s husk
grandfather in his best suit
hands folded, eyes closed
Can anything be a haiku?
Sheron Bellio (left) and Tim Conway Jr. (KFI)
Yoko Sakamoto
(channeled by Sheron Bellio): Obstacles do not block the path; they are the path. Life isn't as serious as the mind makes it out to be. A piece of bamboo bends but does not break. Only the hand that erases can write the truth.

Nothing ever exists entirely alone; everything exists in relation to everything else.

A world, a torch, and without, torch drop -- a world of trouble. A haiku a brought to you by Sue Beh'rue. I write, I erase, rewrite, erase again, and then [put a spell on you].

The past has no past. A picture of a rice cake does not fulfill. To seek is to suffer; to seek nothing is bliss.

Tim Conway: I understand that your husband, Vic, is a worldly guy. He traveled the world. He spent a lot of time in Tibet, India, China, Vietnam, [Japan but] he said you met at Dalt's?

Yoko: Dalt's, the Dojo of the Smoothie...together we are One, filling each other up. *Gong*

Tim: You've got a little gong, too?

Yoko: A ding-dong with you, Tim Conway, a ding-dong.

Haiku lessons for American poets
Kokuu, Canterbury, UK (ARTS: How to Haiku, 1: What is not a haiku) edited by Wisdom Quarterly
Kokuu | treeleaf.org
(Treeleaf.org) I can’t speak for other languages, but haiku poetry taught at school in English is almost universally bad.

The basic instruction my 13-year-old daughter recently received was that a haiku is a three-line Japanese poem comprising 17 syllables in lines of five, seven, and five syllables respectively.

If one is lucky, one might be told that it is usually about nature and our relationship with the natural world. Is this correct?

Well, it is not totally incorrect, but it focusses the attention in completely the wrong direction and thereby misses out several important factors.

It is true that in Japanese, a count of 17 sound units (morae) are employed in a three-line sequence.
"Quietly, quietly,/yellow mountain roses fall
–sound of the rapids" (Matsuo Bashō)
However, an English syllable tends to be longer than a Japanese sound unit, so English Language Haiku (ELH) written in 17 syllables often to feel too bloated and long compared to their Japanese equivalents.

Moreover, most people writing haiku with the 5-7-5 structure in mind pay far more attention to getting the right number of syllables than forming a good poem. Few modern day ELH poets write in 5-7-5. Some do.

Most bad haiku (the plural of haiku is haiku) on the internet are written in 5-7-5. The syllable count is often achieved by adding adjectives until the magic 17 is reached.

The three-line structure is also not a good way to think about haiku. It is better understood as a poem composed of two essential parts – a phrase (two lines usually containing a verb) and a fragment (one line). This can either be fragment-phrase or phrase-fragment. More about this later.

Also a haiku isn’t a bunch of ideas and concepts. It is essentially a poetic form based on images, often coming from nature. Concepts can be included as well as images, but just concepts is far too heady and not nearly visual enough. Source: treeleaf.org
  • AlanWatts.org, Jan. 17, 2015; KFI racist comedy duo Producer Sheron Bellio (impersonator) as "Yoko Sakamoto," wife of Vic the Brick Jacob, in conversation with suspended radio talk show host Tim Conway Jr.; composed, abbreviated, and edited by Dhr. Seven, Ashley Wells, Seth Auberon (eds.), Wisdom Quarterly

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