"Heart Sutra - Rap" by Chogyal Rinpoche
Avalokita [Kwan Yin] hears the cries of the world |
ma sam jö mé sherab parol chin
makyé mingak namkhé ngowo nyi
soso rangrig yeshe chöyulwa
dü sum gyalwé yum la chaktsal lo
diké dak gi töpa dü chik na
chomdendé gyalpö khab jagö pungpö ri la gelong gi gendün chenpo dang
changchub sempé gendün chenpo dang tab chik tu zhuk té
dé tsé chomdendé zabmo nangwa zhejawa chö kyi namdrang kyi ting ngé dzin la nyompar zhuk so
yang dé tsé changchub sempa sempa chenpo pakpa chenrezik wangchuk sherab kyi parol tu chinpa zabmo chöpa nyi la nampar ta zhing
pungpo ngapo dedak la yang rangzhin gyi tongpar nampar ta o
dené sangye kyi tü
tsé dang denpa sharibü changchub sempa sempa chenpo pakpa chenrezik wangchuk la diké ché mé so
rik kyi bu gang lala sherab kyi parol tu chinpa zabmo chöpa chepar döpa dé jitar labpar ja
deké ché mepa dang | changchub sempa sempa chenpo pakpa chenrezik wangchuk gi tsé dang denpa shara datibu la diké ché mé so
Wait, wait! Shouldn't we decide if we're East Coast or West Coast first? (sanghabuild.org) |
teyata | om gaté gaté para gaté | para samgaté | bodhi soha
sharibu rik kyi bu am rik kyi bumo gang lala sherab kyi parol tu chinpa zabmo chöpa chepar döpa dé ditar nampar tawar ja té
pungpo ngapo dedak kyang rangzhin gyi tongpar nampar yangdakpar jesu ta o
zuk tongpa o | tongpanyi kyang zuk so
zuk lé tongpanyi zhen mayin no
tongpanyi lé kyang zuk zhen mayin no
dezhindu tsorwa dang | dushé dang
dujé dang | nampar shepa nam tongpa o
sharibu detawé na chö tamché tongpanyi dé
tsennyi mepa | makyepa | magakpa
drima mepa | drima dang dralwa mepa
driwa mepa | gangwa mepa o
sharibu detawé na tongpanyi la zukmé
tsorwa mé | dushé mé | dujé nam mé | nampar shepa mé
mik mé | nawa mé | na mé | che mé | lü mé | yi mé
zuk mé | dra mé | dri mé | ro mé | rekja mé | chö mé do
mik gi kham mepa né yi kyi kham mé
yi kyi nampar shepé kham kyi bardu yang mé do
marikpa mé | marikpa zepa mepa né gashi mé
gashi zepé bardu yang mé do
dukngalwa dang | künjungwa dang
gokpa dang | lam mé | yeshe mé | tobpa mé
matobpa yang mé do
teyata | om gaté gaté para gaté | para samgaté | bodhi soha
sharibu detawé na changchub sempa nam tobpa mepé chir
sherab kyi parol tu chinpa la ten ching né té
sem la dribpa mepé trakpa mé dé
chin chi lok lé shintu dé né nya ngen lé depé tarchin to
dü sum du nampar zhukpé sangye tamché kyang sherab kyi parol tu chinpa la ten né
lana mepa yangdakpar dzokpé changchub tu ngönpar dzokpar sangye so
detawé na sherab kyi parol tu chinpé ngak
rigpa chenpö ngak | lana mepé ngak
minyampa dang nyampé ngak | dukngal tamché rabtu zhiwar jepé ngak
midzünpé na denpar shepar ja té
sherab kyi parol tu chinpé ngak mepa
teyata | om gaté gaté para gaté | para samgaté | bodhi soha
- Tibetan and English translation of the Heart Sutra: lotsawahouse.org/words-of...
THE HEART SUTRA (English)
Standard English translation (by the great Edward Conze) with minor edits by Wisdom Quarterly (The Heart Sutra | Buddhist Traditions | Amherst College)
Om! Homage to the Perfection of Wisdom, the Lovely, the Holy!
Avalokita, the Holy Lord and Bodhisattva, was moving in the deep course of the Wisdom which has gone beyond.
He looked down from on high, beheld but five heaps, and saw that in their own-being they were empty.
Here, O Sariputra,
Emptiness does not differ from form, and form does not differ from emptiness; whatever is emptiness, that is form.
The same is true of feelings, perceptions, impulses, and consciousness.
Here, O Sariputra,
all dharmas [phenomena] are marked with emptiness;
They are neither produced nor stopped, neither defiled nor immaculate, neither deficient nor complete.
Therefore, O Sariputra,
in emptiness there is no form nor feeling, nor perception, nor impulse, nor consciousness;
[There is] no eye, ear, nose, tongue, body, mind; no forms, sounds, smells, tastes, touchables [tangibles], or objects of mind; no sight-organ element, and so forth, until we come to:
[There is] no mind-consciousness element; there is no ignorance, no extinction of ignorance, and so forth, until we come to: there is no decay and death, no extinction of decay and death. There is no suffering, no origination, no stopping, no path.
There is no cognition, no attainment, and no non-attainment.
Therefore, O Sariputra,
it is because of one's non-attainmentness that a bodhisattva, through having relied on the Perfection of Wisdom, dwells without thought-coverings. In the absence of thought-coverings one has not been made to tremble.
One has overcome what can upset, and in the end one attains to Nirvana.
All those who appear as buddhas in the three periods of time [past, present, future] fully awake to the utmost, right and perfect Enlightenment because they have relied on the Perfection of Wisdom.
Therefore one should know the prajna-paramita as the great spell [mantra], the spell of great knowledge, the utmost spell, the unequalled spell, allayer of all suffering, in truth -- for what could go wrong? By the prajnaparamita has this spell been delivered. It runs like this:
gate gate paragate parasamgate bodhi svaha.
(Gone, gone, gone beyond, gone altogether beyond, O what an awakening, all-hail!)
This completes the Heart of perfect Wisdom.
What's rap if not bad lyrics 'n a good beat?
Wisdom Quarterly COMMENTARY
Get Out The Way: "Move B**h" (Ludacris) |
It's the beat, the beat, the beat propelled by a propulsive lyrical accompaniment consistent with the feel or underlying sentiment of the genre. One has to wonder if N.W.A would have had as much success -- with the exact same musical elements -- if their lyrical content and message were "Officers Is Nice" instead of "F*** the Police." Similarly, what is arguably the greatest rap song ever [if such a thing were possible to accurately determine] might not really be with weaker lyrics. In the case of Ludacris' "Excuse Me, Miss, If I May Just Get Through," or as it is known on internet radio "Move B*tch," where "bitch" refers, of course, to a pregnant dog driving in front of him and his featured artists. Ergo, if we're going to really have a Heart Sutra Rap, methinks we need to get real, gritty, and street, not simply rely on poetic feet.
The corrosive effects of listening to rap music on violent office workers
- MC Yogi, "Heart Sutra [Mantra] Rap," 2023; Chogyal Rinpoche, Sept. 18, 2022; Edward Conze (trans.), "The Heart Sutra"; Office Space (Mike Judge); Grandmaster Flash; Weird Al Yankovic, "White & Nerdy"; Ludacris, "Move B*tch"; Dhr. Seven, Seth Auberon, Amber Larson, Brother Jason (eds.), Wisdom Quarterly
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