Showing posts with label haiku. Show all posts
Showing posts with label haiku. Show all posts

Friday, January 16, 2026

The 5 most famous Chinese poems


Li Bai (Chinese 李白, Pinyin Lǐ Bái) (circa 701-762), who is also known by his courtesy name of Taibai (太白), was a Chinese poet acclaimed as one of the best and most important poets of the Tang dynasty, even the whole of Chinese poetry.

He and his friends such as Du Fu (712–770) were among the prominent figures in the flourishing of Chinese poetry of the Tang dynasty, often called the "Golden Age of Chinese Poetry." The expression "Three Wonders" denotes
  1. Li Bai's poetry,
  2. Pei Min's swordplay, and
  3. Zhang Xu's calligraphy [1].
Around 1,000 poems attributed to Li are extant. His poems have been collected into the most important Tang dynasty collection, Heyue yingling ji [2], compiled in 753 by Yin Fan.

Thirty-four of Li Bai's poems are included in the anthology Three Hundred Tang Poems, which was first published in the 18th century [3].

Around the same time, translations of his poems began to appear in Europe. In Ezra Pound's famous work Cathay (1915), Li Bai's poems enjoy the lion's share (11 out of 19) [4]. Li Bai's poems became models for celebrating the pleasures of... More
  • Skritter; Learn Chinese Now; CC Liu, Crystal Quintero, Dhr. Seven (eds.), Wisdom Quarterly Wiki edit

Saturday, May 18, 2024

Jack Kerouac's Rules for Writing (contest)


Why do we sit cross legged?
Not everyone wants to be a writer, but every writer wants to be a better writer. How? It's good to read a lot and read widely. The examples we stumble upon do much to open the mind to the possibilities of the pen. It is sometimes even better if we can glean some advice from successful writers. They do not endure by chance but by the whim of changing tastes of the audience. What will endure 100 years from now? That's what matters to those attempting to write literature. For the rest, the producers of pulp fiction, anything will do. It's all just fodder for sales. Beware the imitators. Kerouac is more influential now because he influenced so many influential people after him. He was onto something, studying Buddhism before it was trending.

Jack Kerouac's rules for good writing
(polymathematics) Oct. 17, 2018: Jack Kerouac, the king of the Beats, has 30 rules for writing to share with aspiring writers of any generation. Rule 0, which is not stated, is "Be ruggedly handsome." Look what it did for James Dean. But great writing can overcome even that.

By Jove and Jack, I think I got it — the spirit of the Beat, like when they say, "What do kids like about the crazy music today?" It's the same reason it's always been, whether the parents understand it or not: the beat, the beat, the beat!

Going Off Road
Get out of my way.
Seven (5/19/24) I swerve on each turn, like I always do, like I've always done all my life, turning to stare at people who interest me, because the ones I prefer are the madcaps, the spirited ones overwhelmed with a sense of urgency to reach the ring, to say something worth saying, to seize liberation, with a zest for everything all at once, madcap laughers like Syd B., who never utter an obliging commonplace, but revel and burn, who plummet like a shooting star, shining bright falling far, streaking phosphenes into the eye, flares, shattered glass, a thousand multiplications of the sun, each a sparkle in the heat, a gleam of steam the fogged breath of a wolverine, and everyone pants, "F yeah!" (Inspired by JK's On the Road)

Charles: Too derivative.

Seven: Of course it's derivative. I'm a student, following his example. I'm more passionately saying what he was attempting to say but at a more pounding beat, given the fiercer music we have today — grindcore and Bambie Thug, The Agonist (Alissa White-Gluz) and Dimmu Borgir, Die Antwoord and Eternal Conspiracy. It's madness, howling, burning from the inside as Bauhaus would say. Primal scream.

Charles: In that case, try it again.

Seven: We should open it up to readers of Wisdom Quarterly: American Buddhist Journal. I'm sure any writer reading has in mind the deluded thought, "I'm sure I could do it better." Write it. Send it in — to the Comments Section below. We won't print it unless it's worth printing. (Comments do not automatically post).

Charles: So it's a contest?

Sort of. Here are the parameters. Pass this and be invited to send in more writing for consideration and possible publication. Writing is better when it has more restrictions, fewer degrees of freedom. Think about it. If the prompt were merely, "Do whatever." That's too many possibilities. But if there are fewer and fewer degrees of freedom, suddenly greatness emerges. We'll only give three rules to be able to judge and to be judging the same thing (comparing oranges to oranges):
  1. Limit of 12 words
  2. Topic: Burning from the inside
  3. Use the word "road"
Charles: That sounds easy enough.

Seven: Guarantee you, Chuck, most will s***w it up, which will cut down on our number of finalists.

Charles: But a dozen words?

Seven: Honest Tea, their limit was 6 words, and people sent in amazing things that were printed on the inside of the caps. "Brevity is the heart of poetry." Get to the point. Edit. Cut the fat.

Charles: That's too hard; they'll never get it.

Seven: Okay, we'll add a fourth stipulation:
  • Break one of the rules, if you want, but say which one you broke or be disqualified.
Charles: That's impossible.

Seven: No, we already have a submission. The contest has only been going on for 7 minutes, and we already have a submission.

Charles: What is it?

Sariputra saw it just as it is.
Seven: It comes from a Mr. Buddha from Scythia, who has chosen to break the third rule, and has nevertheless come up with something very profound:

"Not having been, they come to be;
once having been, they cease."

Charles: What?

Seven: Clearly, he's referring to dhammas ("phenomena," all "things"). It is explained by Andrew Olendzki Outline of Abhidhamma (buddhistinquiry.org) and stated the Anupada Sutta (MN 111).

Poetry by Charles Harmon "Beat It"


When you're burning on the inside...
American Buddhist Jack Kerouac is recognized for his style, which is stream of consciousness called "spontaneous prose."

Thematically, his work covers topics such as Buddhism, promiscuity, his Catholic spirituality, drugs, jazz, travel, life in NYC, and poverty.

He became an underground celebrity and, with other Beat Poets, a progenitor (precursor) of the hippie movement...

He greatly influenced many 1960s cultural icons, including the Beatles, the Doors, Bob Dylan, and the founder of the Grateful Dead Jerry Garcia. More



BEAT IT
By Charles Harmon (edited by Seven)
Allen Ginsberg with Jack Kerouac
Cruising Hollywood, 1959,
family wagon, parents at the
wheel, little sisters gawking at

Grauman's and the imprints of idols,
feet, hands, endearments

etched in concrete, Walk of Fame,
pointing at the stars set in the sidewalk
between tourist toes and heels

"Look, a Beatnik!" mom directs us
toward a man who sits on the curb,
his sandaled feet dangling in the gutter,

dressed in a dark turtleneck and smart
black beret, whacking a bongo,
singing, billowing smoke

as a young woman sits next to him
with an arm around his waist, cigaretting

smoldering on his lipstick stained cheek,
as tourists drop coins in a cup

"What's a Beatnik?" I ask, but a man
without options, who looks cool doing
nothing

"They like poetry," Mom explains, "and
music, don't care too much about money,
seeking enlightenment or come what may"

Wow, I think, a man after my own heart,
as I'd already memorized dozens of poems

in school and liked to sing, a choirboy
with a radio and TV, eager to learn

the way to enlightenment, something I
read in the World Book of all the Buddha
knew, understanding stated in haiku

like a novel on James Bond in the 6th
grade, when 007 visits a faraway land

to extract useful information from the
Japanese Secret Service, offering

some spy service in return, but JSS
Head Tiger Tanaka teaches 007 how
to compose haiku instead

You only live twice
once when born and once when you 
finally face death

A spy evades capture, and a ten-year-old
is blown away, one avoids execution

the other asks his mom, Is Death here yet?
There is reality and there is fate

and are they not the same? Knowing
that we all know Death, who is yet to

come, I resolved to live, to do something
to make life amount to more than
not yet dying

So I did, I understood what the Buddha
must have meant, only etching out haiku

much later on a cube of rice paper, square
and the size of a cigarette with twisted ends,

discovering Kerouac Jack, who presented it
to an audience American, altering the rules,
setting it free

On the Road, The Dharma Bums, and
artful lines in 5-7-5 or not

all to kindle a sense of the adventure, an
excursion with and without signs

do not enter here
do not look behind
enter over there

Did it rhyme? Did I trek with Scouts
arm myself with the Sierra Club

get away with friends until my 16th
summer on the planet, hitching my sole

and the other on a hike to NorCal to visit
Berkeley and Stanford and grandparents in the Bay,
listening to the Jefferson Airplane and Grace

steering clear of the scene psychedelic, blazing
on a natural high and the books at City Lights

and a man named Ferlinghetti
who gave me a Little Red Book by Mao

a souvenir of what might have been had I
been a Beat, had I penned as artfully as
the JuBu Ginsberg and other rows at City Lights

Rodolfo Ybarra: On the Beat Generation and Bob Kaufman

Snyder, Everson, Rexroth, Jeffers, Welch, McClure
many of whom I met at their readings, discovering

former Zen monastic Leonard Cohen who sat atop
Mount Baldy overlooking L.A., searching for Truth

in nature, peace, love, spirituality, seeking
the mystical in the ordinary, while I climbed mountains

in the vast out of doors, seeking it in science at the UC
with Fritjof Capra's Tao of Physics, exploring the
parallels of East and West on a quest for Truth

The Tao of Physics

ism after ism saying the same thing: we are all
connected as we learn to see

all of it a mystical experience, haiku poetry

Thursday, April 11, 2024

Wisdom of the East in Haiku (Alan Watts)

What is "zen"? It is jhana (Sanskrit dhyana, Chinese chan) or "meditative absorption" (WQ).

The simplest and most advanced form of art

Alan Watts is a British-American Zen genius
Alan Watts is translating haiku, which is regarded as the more sophisticated for its apparent artlessness, direct and unadorned.
  • Haiku is not anything one wants to say in 17 syllables, as we are taught in the US, nor is it a rhyme. It is 17 on (phonetic units in Japanese) with no English equivalent. So, lacking an equivalent (of what linguists might call a phoneme or chunk), we have substituted syllables.
(IntelligenceExplosion) The lectures, books, and teachings of Alan Watts are commemorated at alanwatts.org. (More can also be found at alanwatts.com lovingly run by his son).

Why are haiku good? They are following many rules we are not told in English, where we just count syllables and chase pseudo-depth with something snappy and terse. "Brevity is the heart of wisdom." And of all the great haiku that ever came from the West, I have never heard something to rival the great American gay Jewish NAMBLA member Beat Poet Allen Ginsberg, author of Howl, or was it one-time Buddhist Jack Kerouac, author of The Dharma Bums and On the Road, perhaps Sephardic Jew Lawrence Ferlinghetti or American humorist Kurt Vonnegut.

Someone in the 1960s wrote a genius three-word punchline (copied by droll comedian or reprehensible copycat Michael Lowenberg, who dared submit it as an original thought in 2022) that repeated Internet searches do not find. I am forced to compose a facsimile from memory:

walking down the street
i look up, see a pigeon
then hear a high coo

2022 WINNER:
a cicada’s husk
grandfather in his best suit
hands folded, eyes closed
Can anything be a haiku?
Sheron Bellio (left) and Tim Conway Jr. (KFI)
Yoko Sakamoto
(channeled by Sheron Bellio): Obstacles do not block the path; they are the path. Life isn't as serious as the mind makes it out to be. A piece of bamboo bends but does not break. Only the hand that erases can write the truth.

Nothing ever exists entirely alone; everything exists in relation to everything else.

A world, a torch, and without, torch drop -- a world of trouble. A haiku a brought to you by Sue Beh'rue. I write, I erase, rewrite, erase again, and then [put a spell on you].

The past has no past. A picture of a rice cake does not fulfill. To seek is to suffer; to seek nothing is bliss.

Tim Conway: I understand that your husband, Vic, is a worldly guy. He traveled the world. He spent a lot of time in Tibet, India, China, Vietnam, [Japan but] he said you met at Dalt's?

Yoko: Dalt's, the Dojo of the Smoothie...together we are One, filling each other up. *Gong*

Tim: You've got a little gong, too?

Yoko: A ding-dong with you, Tim Conway, a ding-dong.

Haiku lessons for American poets
Kokuu, Canterbury, UK (ARTS: How to Haiku, 1: What is not a haiku) edited by Wisdom Quarterly
Kokuu | treeleaf.org
(Treeleaf.org) I can’t speak for other languages, but haiku poetry taught at school in English is almost universally bad.

The basic instruction my 13-year-old daughter recently received was that a haiku is a three-line Japanese poem comprising 17 syllables in lines of five, seven, and five syllables respectively.

If one is lucky, one might be told that it is usually about nature and our relationship with the natural world. Is this correct?

Well, it is not totally incorrect, but it focusses the attention in completely the wrong direction and thereby misses out several important factors.

It is true that in Japanese, a count of 17 sound units (morae) are employed in a three-line sequence.
"Quietly, quietly,/yellow mountain roses fall
–sound of the rapids" (Matsuo Bashō)
However, an English syllable tends to be longer than a Japanese sound unit, so English Language Haiku (ELH) written in 17 syllables often to feel too bloated and long compared to their Japanese equivalents.

Moreover, most people writing haiku with the 5-7-5 structure in mind pay far more attention to getting the right number of syllables than forming a good poem. Few modern day ELH poets write in 5-7-5. Some do.

Most bad haiku (the plural of haiku is haiku) on the internet are written in 5-7-5. The syllable count is often achieved by adding adjectives until the magic 17 is reached.

The three-line structure is also not a good way to think about haiku. It is better understood as a poem composed of two essential parts – a phrase (two lines usually containing a verb) and a fragment (one line). This can either be fragment-phrase or phrase-fragment. More about this later.

Also a haiku isn’t a bunch of ideas and concepts. It is essentially a poetic form based on images, often coming from nature. Concepts can be included as well as images, but just concepts is far too heady and not nearly visual enough. Source: treeleaf.org
  • AlanWatts.org, Jan. 17, 2015; KFI racist comedy duo Producer Sheron Bellio (impersonator) as "Yoko Sakamoto," wife of Vic the Brick Jacob, in conversation with suspended radio talk show host Tim Conway Jr.; composed, abbreviated, and edited by Dhr. Seven, Ashley Wells, Seth Auberon (eds.), Wisdom Quarterly

Sunday, March 17, 2019

Alan Watts: Zen Tales and Legends (video)

AlanWatts.org (Eastern Wisdom & Modern Life); Roy of Hollywood Tuckman, "Something's Happening," KPFK.org; Dhr. Seven, Ananda (D.M.I.), Crystal Q. (ed.), Wisdom Quarterly


Alan Watts: The Discipline of Zen (1960, full length)
The Partially Examined Life, Feb. 19, 2012
This episode from the 1960 season of Alan Watts' KQED television series Eastern Wisdom & Modern Life is entitled "The Discipline of Zen." The entire Eastern Wisdom & Modern Life series on DVD is available at alanwatts.com/collections.
 
After the ecstasy, the laundry
Alan Watts was a native of England, who attended the King's School near Canterbury Cathedral. At the age of 14 he became fascinated with the philosophies of the Far East. By 16 he regularly attended the Buddhist Lodge in London, where he met Zen scholars Christmas Humphries and D. T. Suzuki.

As a speaker and contributor to the Lodge's journal, The Middle Way, he wrote a series of philosophical commentaries and published his first book on Eastern thought, The Spirit of Zen, at age 21. In the late 1930s he moved to New York, and a few years later he became an Episcopalian Christian priest.

In 1942 he moved to Illinois and spent the wartime years as chaplain at Northwestern University. Then, in 1950, he left the Church, and his life took a turn away from organized religion back toward Eastern ways and expanding horizons.

Here I am. Wasn't I?
After meeting author and mythologist Joseph Campbell and composer John Cage in New York, he headed to California and began teaching at the American Academy of Asian Studies in San Francisco.

There his popular lectures spilled over into coffeehouse talks and appearances with the well-known beat writers Gary Snyder, Jack Kerouac, and Allen Ginsberg.

In late 1953 he began what would become the longest running series of Sunday morning public radio talks, which continue to to be broadcast to this day on archive.KPFK.org with programs from the Alan Watts tape archives.

In the (sandy) Garden of Zen...
In 1957 he published the bestselling The Way of Zen, beginning a prolific 10-year period in which he wrote Nature, Man and Woman; Beat Zen, Square Zen and Zen; This Is It; Psychotherapy East and West; The Two Hands of God; The Joyous Cosmology; and The Book: On the Taboo against Knowing Who You Are.

By 1960 Watts's radio series Way Beyond the West on Berkeley's KPFA.org had an avid following on the West Coast, and NET television began national broadcasts of the series Eastern Wisdom in Modern Life.

The the first season, recorded in the studios of KQED.org, a San Francisco TV station, focused on the relevance of Buddhism, and the second, on Zen and the arts.

Dharma Meditation Initiative: Thursday, March 28, 2019, 7:00-8:30 PM, FREE

Friday, April 27, 2012

POETRY: good and bad (video slam)

Wisdom Quarterly; GetLit.org; The Pseudo-Intellectual, Literary Terms Sparkcharts
(Glwordsignite) Get Lit Classic Slam is s a citywide poetry competition on April 27th at Los Angeles Theatre Center and April 28th at the Wiltern Theatre (classicslam.org). Get Lit is a nonprofit organization that promotes teen literacy. It is embarking on its biggest endeavor ever this weekend during NATIONAL POETRY MONTH!
Poetry is sometimes submitted to Wisdom Quarterly or at least "things that rhyme" or follow a rigid form are. Here is one example by I.P. Freehly:

"Here I sit brokenhearted
Came to Zen,
Butt barely started"

Or this gem from Richard Hurtz:

"Lotuses are red,
Waterlilies are blue
The truth I dread,
Maybe it's true."

These budding wordsmiths might benefit from Sparkcharts. And everyone would be much better off removing the term "haiku" from their quiver.
The web-site you seek
Cannot be located,
but Countless more exist.
Joy Rothke
Errors have occurred.
Look within for where and why.
Lazy programmers.
Charlie Gibbs
Serious error.
All shortcuts have disappeared.
Screen, mind, both are blank....
Ian Hughes

() Lady Rizo performs

Take a cue from Teri Trendler, whom we mangle with a little editing:

Sanity vs. Ships
The ocean is vast --
easy to stay afloat
far away, selfishly using wind,
waves, and rain to survive
but storms batter us
and our ropes and hopes fray --
our selves/sails split
and leaks appear.

It is far safer to stay in dry dock --
but dry wood don't boat.
In a harbor others can see how we maintain our ship
(or rot).

The mask of seaworthiness gets us through
work and school even Sundays at church
but we know behind the paint
there are cracks.

How do we fix ourselves?
Maybe we cannot --
perhaps it takes those ships in neighboring slips
to lend a hand.

Therapy is where we admit we want help --
socializing allows us to see the small storms are survivable --
but what about spirits
how do we make them stronger?

Being sane? Sane enough?
Logic tells us what to eat, not drink, when to exercise
and to stress less (about work)
but if we don't do these are we not sane, less sane?

If the root of sanity is opposite to crazy, creative
to sanitize is to clean and kill everything
foreign or not-self.
We put these away in a sanitarium.
A sanitary napkin would wipe up the mentally disturbed --
maybe the physically imperfect too?

Brain chemistry runs in families
as does fertility to a degree.
If my father's line is less fertile,
and my mother's line less sane...
I'm the last to deal with this.
No children will inherit my brains nor my body
both tools, good for certain work
but antiquated now in me.

So if I am to leave a legacy
it must be an intangible one.
Those I've met, touched, helped or hindered
if not memories which shall last only a few lifetimes
perhaps a change in spirit for those down or discouraged
and if my rewards are here on earth-cheers.
Elements of Style
aposiopesis: breaking off of speech due to rising emotion or excitement
apostrophe: a direct address to an absent or dead person, object, or idea.
chiasmus: two phrases with the same syntax but reversed word placement.
colloquialism: informal expression or slang
conceit: elaborate parallel between two seemingly dissimilar objects or ideas
epithet: adjective or phrase describing a prominent feature
euphemism: decorous language used to express unpleasant idea.
litotes: form of understatement in which a statement is affirmed by negating its opposite.
meiosis: intentional understatement
metomyny: substitution of one term for another that is associated with it
paralipsis (praeteritio): drawing attention to something by claiming not to mention it.
parallelism: use of similar grammatical structure or word order in two sentences to suggest contrast or comparison.
pathetic fallacy: human feeling of motivation attributed to nonhuman objects.
periphrasis: an elaborate and roundabout way of referring to things that uses more words than necessary.
synecdoche: form of metonymy in which a part is used to refer to the whole.
trope: category of figures of speech that invite comparison.
zeugma: one word modifies two things in two different ways.
  • Meter
    • Accentual meter: the number of stressed syllables is fixed, and the number of total syllables is not fixed.
    • Syllabic meter: the number of stressed syllables is not fixed, the number of total syllables is.
    • Accentual-syllabic meter: both the numbers of stressed and unstressed syllables are fixed.
    • Quantitative meter: the duration of the sound of each syllable determines the meter
  • The foot: basic rhythmic unit
    • Caesura: the pronounced pause between feet
    • Iamb: unstressed, stressed
    • Trochee: stressed, unstressed
    • Dactyl: stressed, unstressed, unstressed
    • Anapest: unstressed, unstressed, stressed
    • Spondee: stressed, stressed
    • Pyrrhic: unstressed, unstressed
    • Feet measures: monometer, di, tri, tetra, penta, hexa, hepta, octa
  • Rhyme Schemes
    • Couplet: two successive rhymed lines, equal in length
    • Heroic couplet: a couplet in iambic pentameter
    • Quatrain: four line stanza
    • Heroic quatrain: quatrain in iambic pentameter with an ABAB scheme
    • Tercet: grouping of three lines
    • Terza rima: system of tercets liked by common rhymes: ABA BCB CDC, etc.
  • Poetic forms
    • Ottava rima: eight lines in iambic pentameter with ABABABCC scheme
    • Sestina: Six six-line stanzas followed by a three-line stanza. The last word in the last line of one stanza becomes the last word in the first line of the next. All the words appear in the final three-line stanza.
    • Sonnet: one stanza of fourteen lines in iambic pentameter. The first eight lines or “octave” poses a question or dilemma that the last six lines or “sestet,” resolve.
      • Italian/Petrachan: the octave can be either ABBAABBA or ABBACDDC and the sestet can be either CDECDE or CDCCDC
      • Shakespearean: ABAB CDCD EFEF GG
      • Spenserian: ABAB BCBC CDCD EE
  • Vilanelle: nineteen lines split into five tercets and one quatrain. All nineteen lines carry one of two rhymes. There are two refrains, alternating between the ends of each tercet and forming the last two lines of the final quatrain.