Showing posts with label a buddhist lakshmi. Show all posts
Showing posts with label a buddhist lakshmi. Show all posts

Thursday, December 18, 2014

You can't make your own goddesses!

I. Rony, CC Liu, Ashley Wells, Dhr. Seven, Crystal Quintero (eds.) Wisdom Quarterly; artist Andrea Abulencia (wanderingsoul39/deviantart.com); Ven. Tathaloka Theri (bhikkhuni.net)
Some hybrid-humans seem more deva than earthling (models.com/NYTimes Style Mag).
Devas in art as Greek and Roman gods and goddesses (wandering39soul.deviantart.com)
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Not just Spidey, I can too!
Can you create a goddess? Like resuscitate the Christian God's wife, Asherah? No, you can't make comic book heroes and heroines to do what you want people to do. Well, they could in ancient Greece and Rome (and the more ancient Indus Valley Civilization and India), but we can't now.

Why not? It's just not on. It's a, it's a, it's a nonstarter! What next, a "super" man? A "captain" America? A Latin, originally lesbian "wonder" woman?

No, no, it's a slippery slope. Once we get started going down that road, it could lead to anything, even Kaos. And we need Control. It's a throwback, it's regressive, who in the h*ll does Ram Devineni think he is? (Devi-neni? odd name for a man who gives birth like God/Ram and draws a new goddess as needed by society).

Could I become a Kami (spirit)?
Imagine a world where all ephemeral qualities were anthropomorphized, make like human, in the image of ourselves. Good gosh, it could lead to anything. A cherubic infant could represent the New Year. A fat jolly redcoated Satanist could represent Xmas spreading materialism and consumer-capitalism throughout the land. No, NO, we have to put our collective foot down. This stops here. It may not stop now, but here.

Mary, Kwan Yin, Santa Muerte goddess stylized tattoo (pinterest.com)
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The Amazing Transformations of a Buddhist nun
Ven. Tathālokā Therī "The Amazing Transformations of Arahant Theri Uppalavanna" as inspired and subsequently re-edited by Wisdom Quarterly
The Buddha had two female chief disciples, foremost in wisdom and supernormal powers, Ven. Khema on his right and Ven. Uppalavanna Theri on his left (BreenJones/flickr).
  
Born in a blue lotus (BLHD)
As with so many ancient histories, the nun Uppalavaṇṇā’s is one of many twists and turns, spanning vast reaches of space over the three periods time, tangled in the web of rebirths -- human, animal, and divine -- in connection with the Buddha.

Hers has long been a popular tale, retold in multiple texts, fascinating generations of listeners and story-weavers for more than 25 centuries.

And for good reason, as it continues to serve as a catalyst for exploration, inspiration, and insight. According to the ancient Pāḷi-text commentaries written around the 5th century CE Uppalavaṇṇā Therī ["the female monastic elder Blue Lotus Beauty"] was born into the family of a wealthy merchant of Sāvatthi (Sanskrit Srāvasti). She was extraordinarily beautiful like the dark blue uppala lily after which she was named as a fulfillment of her past life aspirations as well as those of the Buddha to have such a disciple.

Blue lotus lily (frank.itlab.us)
Her skin was said to be blue or golden like the calyx of the blue lotus, both colors associated with divine beauty and avatars -- incarnations of a deity into human form in this realm -- in Indian mythology.

Men lost their mindfulness when seeing her due to her extraordinary beauty and presence. When she came of age and began to consider marriage, such a stir began to occur that her father became afraid of civil conflict between powerful and wealthy suitors in competition for the honor of her companionship. Kings from all around India sent their proposals, such that he could think of no way to resolve whom to offer her to in marriage.

The idea came to him of her instead going forth into monastic life, to which she gladly and readily agreed, his idea falling on her ears as if it were an anointment of 1,000 times refined oil.

Ven. Uppalavanna rejects Mara.
Already familiar with the Buddha’s teaching, this exact aspiration was in her heart ardent and unfilled from the past finding a way to ripen in the present. She achieved enlightenment within a fortnight of her going forth into monastic life:

One evening, while the other nuns (bhikkhunīs) were out, she remained behind to practice the teaching. She lit a lamp to prepare the hall. She at down in meditation, concentrated her mind/heart on the fire element using a fire meditation-disc (tejo kasina). And all of her fetters (mental defilements) fell away. She realized the paths and fruits of an arhat, the pinnacle and complete fulfillment of the Buddhist Path.

Lakshmi/Uppalavanna, Saraswati, Radha (GWP)
"I have put down the heavy burden; everything that leads to continued rebirth has been rooted out. The aim for which one goes forth from the home to the homeless state, that aim has been attained by me -- all bondage is destroyed.

"My defilements are burned out; all [future] births are completely uprooted. Having severed my bonds like a she-elephant, I live without taints [of the heart]. Welcome, indeed, was meeting the Awakened One for me. I have attained the three knowledges. I have fulfilled the [goal of the] Buddha’s teaching." More

As beautiful as a budding flower calyx is the Buddhist nun Uppalavanna (chanyan).

India's new comic book heroine fights rape

CC Liu, Crystal Quintero, Dhr. Seven, Wisdom Quarterly; Rhitu Chatterjee (NPR, 12-16-14)
Heroic Priya on a tiger fights rape in Indian comics (Ram Devineni/npr.org)
Kali Kardashian with Kanye West skull necklace, Ma Durga (kunkle/filmsofindia.com)
A deva (fem. devi) is a diva, "shining one," goddess like Shakti (russelldunnepracticesmetta)
 
India's new comic book hero fights rape, rides on the back of a tiger
Angelic goddesses (srilankaguardian.org)
(NPR) Her name is Priya, and she is the star of a new graphic novel in India. After she is gang-raped, her family and neighbors shun her -- but then a Hindu goddess grants her special powers.

Two years ago to the day, a 23-year-old woman was brutally gang-raped on a moving bus in New Delhi, the capital of India. Three days later she died from her injuries.
 
Ma Tara as Kali, Parvati, Durga
The incident pushed millions in the city and all over India to protest the widespread violence against women. The protests led to tougher laws and empowered women to stand up against sexual violence.
 
And one man was inspired to create a comic book superheroine.
 
Ram Devineni, a New York-based filmmaker, gave life to "Priya," a survivor of gang rape who seeks to stop violence against females.
 
The story of a brutal gang-rape in India inspired Ram Devineni to create the superhero Priya.
Gang-rape in India inspired Ram Devineni
It started with a conversation with a New Delhi policeman in the days after the rape. "I asked what he thought about what had happened on the bus," says Devineni.

"I'm paraphrasing here, but he basically said, 'No good girl walks home alone at night,' which implies she deserved it or provoked it. I immediately realized the problem of sexual violence in India is not a legal issue but a cultural problem."
 
The Indian Goddess Lakshmi
After months of traveling around India talking to all sorts of people, including rape victims, about sexual violence, Devineni decided to create Priya.

Shunned by her family and village after she is raped, she takes refuge in the jungle and is stalked by a tiger. Parvati, a Hindu goddess, comes to her aid and grants her special powers that include fearlessness and a magical mantra that she uses to change people's minds. More
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Tibetan Buddhist representation of Kali with Hindu gods and goddesses of Tibet, revealing syncretism of Tantra, painted in Ladakh (India) murals (rishabh.asthana/flickr.com).

Tuesday, July 15, 2014

Who is "Siri," Goddess of the iPhone?

Siri was not blond like Marvel's Goddess Thor until Scarlett Johannson made her so in "She."
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Jennifer-van-grove-8d52390080"Who are you?" I ask Siri, attempting to unravel some of the mystery behind the iPhone 4S virtual assistant by going directly to the source. No such luck. "Who I am isn't important," she tells me.
 
Let's stop being coy, Siri. Who you are is important. We both know that. So important that you may be a threat to Google's Android platform.
 
The world's best app is Audible not Siri.
And so I went to one of Siri's makers, Gary Morgenthaler, venture capitalist, Siri investor, and Siri board member, for a better answer to the question, Who is Siri?

Let's start with her name. Like any doting parent, Morgenthaler and the founding team behind Siri, especially CEO Dag Kittlaus, felt the newborn's existence was of such significance that she warranted a very special moniker. And so they turned to baby name books. 

[The Hindu Goddess Siri]
Is "Siri" (Inc.) based on Lakshmi or Freyja?
The team put together a shortlist of potential names, but Siri stood out.

Siri, a variant of Sigrid, is a Scandinavian and Norwegian girl name that means beautiful or fair victory.

The Indian name Siri is associated with Goddess Lakshmi, the Hindu goddess of wealth and prosperity.
 
Siri, to those who gave her life, became an amalgam of those meanings; they defined her appellation as, "beautiful woman that leads you to fair victory and wealth." [Obviously, they overlooked some of Siri's more colorful meanings.] More
Lakshmi
Koausa.org, edited by Wisdom Quarterly
Meditating Lakshmi, mother of Cupid (Kama)
The  devi  or goddess Lakshmi represents wealth and prosperity, material and spiritual. The word lakshmi (laxmi)  is derived from the Sanskrit laksme, meaning "goal."

Lakshmi, therefore, represents the goal of life, which includes worldly as well as spiritual prosperity. In ancient Vedic and more recent Hindu mythology, the Goddess Lakshmi, who is also called  by the honorific Sri, is the divine spouse or consort of Lord Vishnu, whom she provides with wealth for the maintenance and preservation of Great Brahma's creation (this world-system).
 
Sri Lakshmi is depicted in female form. [In Buddhism devas are transformational beings capable of adopting whatever form they please as Alexander Pope notes of Greco-Roman-European fairies (woodland dryads)]:

For when the Fair in all their Pride expire,
To their first Elements the [Spirits] retire:

The Sprights of fiery Termagants in Flame
Mount up, and take a Salamander's Name.

Siri, who sent this picture?
Soft yielding Minds to Water glide away,
And sip with Nymphs, their Elemental Tea.

The graver Prude sinks downward to a Gnome,
In search of Mischief still on Earth to roam.
The light Coquettes in Sylphs aloft repair,
And sport and flutter in the Fields of Air.

Know farther yet; Whoever fair and chaste
Rejects Mankind, is by some Sylph embrac'd: 

For Spirits, freed from mortal Laws, with ease
Assume what Sexes and what Shapes they please.
 
...When kind Occasion prompts their warm Desires,
When Musick softens, and when Dancing fires?
 
'Tis but their Sylph, the wise Celestials know,
Tho' Honour is the Word with Men below....

Lakshmi is shown with four arms and four hands. She wears red clothes with a golden lining and is standing on a lotus. She has golden coins and lotuses in her hands. Two elephants (sometimes four) are shown next to her, symbolism conveying the following spiritual themes:
  • Her four arms represent the four cardinal directions in space and symbolize omnipresence and omnipotence of the goddess. The red color symbolizes activity. The golden lining (embroidery) on her red dress suggests prosperity. The idea conveyed here is that she is always busy distributing wealth and prosperity to devotees. The lotus pedestal signifies that while living in the world, one should enjoy its wealth but not become obsessed with it. Such a living is analogous to a lotus that grows in dirty water but is not wet or defiled by it.
  • Radha, divine consort (WQ)
    Her four hands represent the four ends of human life: dharma (duty, social obligation, righteousness), kama ([Buddhist chanda] genuine desires beyond the sensual), artha (wealth), and moksha (liberation from death and rebirth). Whereas the front hands represent activity in the physical world, the back ones indicate the spiritual activities that lead to spiritual perfection.
  • Since the right side of the body symbolizes activity, a lotus in the back right hand conveys the idea that one must perform his or her duties in the world in accordance with dharma [a Vedic idea distorted by the Indian caste system]. Fulfilling one's real duties as a human being on a spiritual quest leads to moksha (liberation), which is symbolized by a lotus in Lakshmi's back left hand. Golden coins falling on the ground from her front left hand illustrate that she provides wealth and prosperity to her devotees. Her front right hand is shown bestowing blessings... More

Thursday, July 7, 2011

Buddhist Goddesses

Wisdom Quarterly inspired by Brian Schell's Women in Buddhism (dailybuddhism.com)
Kwan Yin in Tibet: "Every person whose heart is moved by love and compassion, who deeply and sincerely acts for the benefit of others without concern for fame, profit, social position, or recognition expresses the activity of Chenrezig" (Bokar Rinpoche).

There are highly respected historical women in Buddhism, such as the Buddha's chief female disciples Khema Theri, Uppalavanna Theri, Maha Pajapati (the Buddha's stepmother and the first woman ordained as a nun), Maya Devi (the Buddha's birth mother), accomplished monastics and enlightened lay women. But no female is more famous than the Goddess of Compassion and Mercy, Kwan Yin.

She is a bodhisattva, a being vowing to become a buddha to rescue others from suffering. She is also known as Kwannon, Kannon, Kuanyin, Guanyin, Guanshi’yin, and many other names throughout the East. Just as famously, she is the inspiration for many characteristics attributed to Mother Mary.

She is the feminine manifestation of Avalokiteshvara, the male bodhisattva of compassion in Indian Buddhist lore. The name means "the lord who looks down." She remains male in Japan as Kannon Bosatsu, but even there is often depicted as female; the same happens in Tibet. Many believe that Kwan Yin is both masculine and feminine, male and female, yin and yang as called for by the situation. Such is the capacity of a "goddess" (devi).

Of course historically, Avalokita, as the bodhisattva of compassion is also known, was male. But in art as well as myth he evolved, combining with or being influenced by similar Chinese female characters to create the "goddess" the world knows as Kwan Yin.

She is depicted as a beautiful and graceful lady in flowing robes, extending mercy and comfort, sitting in meditation, overcoming dragons, and sometimes appearing in the manner of a Hindu deity with many arms (indicating the ability to do many things simultaneously).

There are countless variations of stories, legends, prayers, and imagery for Kwan Yin. One very common origin-tale speaks of an exceedingly compassionate girl sentenced to death by her father. Her mantra is very famous.

Avalokiteshvara forms a protective trinity along with Manjushri and Vajrapani. He is the protector of the Lotus family of devas, which also includes Amitabha and Tara (wildmind.org)



Dharma protecting deity, an avian-hybrid kinnara (richard-seaman.com)
Combining many characters: Considered a manifestation of Benzaiten by some, Kichijōten by others (Sanskrit = Śrī-devī, Lakṣmī), the Buddhist goddess of beauty, luck, prosperity, and merit. “Daibenkudoku-ten is a manifestation of Kichijoten. Of Hindu origin. Born from the sea, the wife of Vishnu. It is believed that she grants prosperity and good luck. In Buddhism, she is worshipped as the wife of Bishamonten and the daughter of the Dragon King and Kishimojin (Sanskrit = Hāritī). In Buddhism, she too presides over prosperity” (Sanjūsangendō temple catalog).

Wednesday, March 16, 2011

The Universal Mother

Wisdom Quarterly
Our protective Moon, a symbol of yin and their station in space, marks each figure.

Our Lady of G... the Virgin or Tonantzin?
Ronald A. Barnett (Mexconnect)
The fame of the Virgin of Guadalupe [the Mahayana Buddhist Guan Yin] rose rapidly after the Spanish Conquest and has continued to the present day. A small church was constructed on the spot [in Mexico] where the apparition first appeared [to Juan Diego]. In 1709, a larger church was erected on the site of the original sanctuary.

In 1745, the Vatican recognized Juan Diego's vision as a miracle and two new Basilicas were built, one in 1904, the present one in 1976. Today the shrine of Guadalupe in Mexico City has become one of the most famous sites in Christendom visited by millions of pilgrims annually.

Guanyin, the Buddhist Virgin (a word that does not mean sex-less but virtuous), the Aztec goddess Tonantzin and Hindu Lakshmi (related to the historical Buddha's chief female disciple, Uppalavanna)

Aztec goddess?
However, there is another side to the story. Before the fall of the Aztec capital of Tenochtitlan in 1521, the hill where Juan Diego had his vision had also been the site of an ancient temple to the Aztec goddess Tonantzin ("Our Revered Mother"), later leveled to the ground by the Spaniards.

According to the great Franciscan ethnographer Sahagun "Our Mother" Tonan was also known as Ilamatecuhtli (a noble old woman) and Cozcamiauh (a necklace of maize flowers).

Aztec deities [devas, extraterrestrial entities] could not only be of double gender, but different names represented different facets of the character of the same deity.

Tonantzin, therefore, may be associated with the dread goddess Cihuacoatl (a serpent [naga] woman), whom Sahagun identified not with the Virgin Mary [Jewish-Aramaic name Mariam, Miriyam], but with Our Mother Eve and her encounter with the serpent of good and evil in the Garden of Eden....

Accordingly, the ancient Aztec belief in Tonantzin and the Christian faith in the Virgin Mary are not necessarily contradictory.

Christianity in Mexico has been described as Mesoamerican Catholicism, an inextricable blending of Pre-Hispanic religion with the symbols and tenets of Christianity.

In the case of the Virgin of Guadalupe, the Indians in Mexico simply transferred their beliefs and practices from Tonantzin, the Goddess of the Earth, to Mary, the Mother of God.

In the process, the Indians also transformed the beliefs and practices of the Catholic Church to conform with and support their own Pre-Hispanic religion and world outlook. At least this is one point of view. More>>

Who is the Buddhist Goddess Guanyin?
Guan Yin is known as one of the "Four Great Bodhisattvas" (according to the Shambala Dictionary of Buddhism and Zen). She is an important element of Buddhism -- the personification of mercy and compassion. Ubiquitous in temples and iconography, she is venerated throughout Asia.

Also known as Kwan Yin, Quan Yin, Kwannon, and Kuan Shih Yin, the Goddess of Compassion and Healing is one of the most popular deities in all of Asia. Her name in Chinese roughly translates as "The One who Hears the Cries of the World."

As in Christian-Catholicism, where she sometimes overshadows the founder of the religion, Guanyin is the most beloved and revered of all the Chinese deities. Guanyin is the Divine Mother longed for throughout the world: merciful, tender, compassionate, loving, protecting, caring, healing, and wise.

She quietly comes to the aid of her children everywhere. Some say her Sanskrit mantra is Om mani padme hum ("Hail the jewel in the lotus"). She is the female representation of Avalokita (Avalokiteshvara), the Tibetan and Nepalese God of Compassion.
Throughout Asia, statues of Guanyin are found in front and around many Buddhist temples. Just as Catholic-Christianity has provided an antidote to pure theological patriarchy by encouraging the reverence of the Virgin Mary, so Chinese Buddhism evolved a feminine bodhisattva (buddha-to-be) and called her Guanyin.

And just as Mary (or Guadalupe, the name of the place where she most famously appeared) captured the hearts of Catholic worshipers, so Guanyin far outstripped the male bodhisattvas in popularity.

Both in Japan (as Kwannon, often pictured as male because deities have the ability to appear as either) and in pre-revolutionary China, this semi-divine being was honored in virtually every home. She was the most powerful being in the entire Chinese pantheon.

Guanyin is depicted in various forms and poses. She always appears cloaked in white, the color of purity, and her gowns are long and flowing. She is often holding a rosary in one hand, a symbol of her devotion to Buddhism and its tenets. At times she is compassionately pouring healing water like the Hindu version of feminine divinity, Lakshmi (on lotus at left). Guanyin is sometimes depicted with a book (The Lotus Sutra, which refers to her origins) in place of the vase.

At times, she might be holding a willow branch, which is a symbol of flexibility, bend or adapting without breaking. The willow is also used in shamanistic rituals and of course has medicinal properties as well. At other times, Guanyin is seen holding a child (Madonna with child, a favorite them in European art), a reminder of her role as the patron saint of barren women.

Another common form of Guanyin is with a thousand arms. An eye embedded in each palm or holding various symbolic objects. Her arms allow her to help stop the suffering of those around the world, while the thousand eyes help her see those in need. (There is a story of how she got a thousand arms).

Guanyin may also be seen standing with a peacock (a favorite Hindu theme in Indian art), since the spread tail feathers look as if they have eyes in them. More>>

IMAGES: 1. Guanyin Khasarpana Lokesvara (wikimedia.org), 2. Virgin Mary as European saint (wikimedia.org), 3. La Virgen de Guadalupe (mexconnect.com), 4. Mother Goddess or incarnation (avatar) of the Divine Feminine, the Queen of Heaven, a compassionate extraterrestrial interested in protecting Earthlings ("Mago," a divine asparva in Cottonwood, Arizona), 5. Mesoamerican goddess Tonantzin (gaytanartworks.com), 5. weeping murthi (idol) of the Catholic Blessed Virgin Mariam, Ave Maria (rawstory.com), 6. the Virgin Mary (Jewish, Mariam) as a westernized Kwan Yin (WQ), 7. cartoon Tonantzin as helmeted Aztec extraterrestrial in flowing garment (www2.gr.cl), 8. Hindu Goddess of Prosperity Lakshmi, conflated with the Buddhist saint Ven. Uppalavanna Theri (rtc-money.co.uk).

Monday, April 5, 2010

The Nymph and the Sage

Wisdom Quarterly (Making sense of Indian mythology with Wikipedia)

A story type or theme appearing over and over again in the Mahabharata is that of a deva (apsara) sent to distract a sage or spiritual master from ascetic practices. One story embodying this theme is recounted by the epic heroine Shakuntala to explain her own parentage. Once upon a time, she recounts, the sage Viswamitra generated such intense energy by his asceticism that Sakka (Indra), the chief of the devas, became fearful.

Deciding that the sage would have to be distracted from his austerities, he sent the deva Menaka to work her charms. Menaka trembled at the thought of angering such a powerful ascetic. But she obeyed the chief of the deva's order. As she approached Viswamitra, the wind deva Vayu tore away her garments. Seeing her disrobed, the sage abandoned himself to lust. The nymph and sage engaged in sex for some time, during which time Viswamitra's asceticism was put on hold. As a consequence, Menaka gave birth to a daughter, whom she abandoned on the banks of a river. That daughter was the narrator of the story, Shakuntala herself. The Mahabharata documents the exploits of individual devas, such as Tilottama, who rescued the world from the rampaging asura brothers Sunda and Upasunda, and Urvashi, who attempted to seduce the hero Arjuna. More>>

Wednesday, October 1, 2008

Female Chief Disciple: Uppalavanna

(buddhachannel.tv)


The Nun Uppalavanna
Radhika Abeysekera (BuddhaSasana)

Uppalavanna was the extraordinarily beautiful daughter of a rich merchant. Her skin was the blue-black color and texture of the calyx of the blue lotus. Because of the unusually beautiful color of her complexion, her parents named her Uppalavanna or "one with the hue of the blue lotus." When she came of age her parents had her married to a young merchant from a wealthy family. As was the custom at the time, she moved to her husband’s home in Savatthi.

Uppalavanna lived happily with her in-laws until her husband had to travel to Rajagaha for business. Neither Uppalavanna nor her husband were aware that she was pregnant when he left. When her pregnancy became noticeable, her mother-in-law accused her of misconduct. Despite her pleas of innocence, Uppalavanna was cast out of her home by her mother-in-law who now despised her. Uppalavanna, who had not done any wrong, decided that she would go to Rajagaha in search of her husband.

The journey was long and difficult. Accepting the hospitality of strangers who felt compassion for the beautiful woman who was heavy with child, she walked slowly from city to city until her labor pains started. Resting in a hut on the wayside, she gave birth to a son. Tired and weak, Uppalavanna wrapped the newborn in her robe and rested. Then, leaving the baby in the hut, she walked to the river nearby to wash.

A stranger who was passing by heard the faint cry of a baby. Seeing the little boy with no parents in sight, he decided to adopt the child. When Uppalavanna came back to the hut, she was devastated. Weeping in sorrow she ran about looking for her child, but she was unable to find her son.

Uppalavanna felt terrible. She knew she could no longer go to her husband. He would surely kill her if he found out that she had lost his son. A firstborn son would become head of the family and carry on the lineage. In India, a male-dominated society, this child was precious and his birth a celebrated event. Uppalavanna knew that she had no hope of being forgiven for her carelessness. With nowhere else to turn, she decided to go home to her parents. She was walking through a thick jungle when a robber hiding in the jungle caught sight of her. Attracted by her unusual beauty, he decided to take her as his wife. The desperate Uppalavanna agreed.

Before long she conceived again and gave birth to a baby girl. Her life, however, was not a happy, comfortable one. Her husband was often violently angry with her. He continually reminded her of her past and his gracious hospitality towards her in taking her as his wife. After one such long and furious argument, he stormed off in anger. Uppalavanna, who was furious with her husband, jumped up inadvertently tossing her baby daughter from her lap and onto the bed. The girl flew off the bed onto the floor cutting her head. Blood gushed from the wound as the baby lay unconscious. Uppalavanna was sure she had accidentally killed her daughter. She knew that her husband would never believe her that it was an accident. She feared for her life for she knew the wrath of her robber husband. So she decided to run away again.

Earning her keep by performing menial jobs, the beautiful Uppalavanna scraped together a living. Her former wealth and beauty were of no use to her. She was a fallen woman, ashamed to go back to her parents and afraid to go back to her husband. So she lived many years in great poverty. One day as she was gathering firewood, a handsome youth saw her. Attracted by the older woman’s beauty, he decided to take her as his wife. Tired of her insecure life, she agreed.

Uppalavanna and her husband lived together in harmony for some time. Then one day he had to leave home on business. When he returned he brought home a second wife – a very beautiful woman who was in the flush of youth. Uppalavanna accepted the younger woman reluctantly. (Men often had their way, and having more than one wife was a common). The two women formed a shaky friendship. Uppalavanna was grooming the second wife’s hair one day when she noticed a large, jagged scar on her head. The young woman informed her that she was the daughter of a robber who had injured her head when her mother had fought with her father and accidentally dropped her.


Like an actress, Uppalavanna's beauty shone through in spite of her shaved head.

Uppalavanna was horrified. This was her daughter whom she had left for dead years before! The thought that she and her daughter had shared a man sickened her. Unable to bear the shame of her degrading life she went to the Buddha for solace and comfort. Uppalavanna then decided to join the Order of Nuns.

Soon thereafter it was her turn to unlock and clean the assembly hall. After she had lighted the lamp and swept the hall, the flame of the lamp attracted her. Concentrating on the element of fire, she went into deep meditation and attained enlightenment together with the Analytical Knowledges.

Because of her comprehensive supernormal powers, the Buddha declared Uppalavanna the "female foremost in supernormal powers." She became his second chief female disciple. Together with Khema she helped the Buddha with the teaching and administration of the growing congregation of nuns. Uppalavanna, who had suffered greatly in her youth because of society’s treatment of women, helped other young women attain freedom from suffering. Her experience of the unique suffering faced by women made it easy for her to empathize with others in similar situations.

To understand Uppalavanna’s quick attainment of enlightenment, we need to go back many aeons to the time of Padumuttara Buddha. At the time of Padumuttara Buddha, Uppalavanna was born to a wealthy family in the City of Hannsavati. She had seen the Buddha Padumuttara appoint another nun "foremost in supernormal powers" and second female chief disciple. Inspired by that nun, Uppalavanna had provided meals and requisites to Padumuttara Buddha and his retinue for seven days. She had then made the aspiration to become the chief disciple of a buddha. Padumuttara Buddha, seeing that Uppalavanna would fulfill her aspiration, gave her a sure prediction that under the Buddha Gautama she would become second chief female disciple and foremost in supernormal powers. From this time onward Uppalavanna had performed meritorious deeds earnestly and worked towards her aspiration.

The canon documents some of Uppalavanna’s past births. At the time of Kassapa Buddha, who preceded Gautama Buddha, Uppalavanna was born to the royal family of Benares (Varanasi) as the daughter of King Kiki. She had been a devoted follower of Kassapa Buddha and had performed many meritorious deeds, including the building of a beautiful monastery for him and his disciples. When she died she was reborn in a divine realm and enjoyed heavenly bliss for an extremely long time.


Her next birth was as a poor woman. Between the time of Kassapa Buddha and Gautama Buddha, there had appeared on earth many non-teaching (pacceka) buddhas. A pacceka buddha who had been in deep meditation for seven days on Gandhamadana Mountain had descended from the mountain in search of alms. At that time Uppalavanna had just picked some blue lotus flowers and rice, which she had then made into popped rice.

On seeing that pacceka buddha, she offered him the popped rice and the beautiful blue lotus flowers. Then, full of joy, she had aspired to become as beautiful as a blue lotus. Accepting the meal and the flowers, the pacceka buddha had returned to the mountaintop, using supernormal powers. When she died Uppalavanna was reborn in a heavenly realm and enjoyed heavenly bliss for a very long time.

She then passed away from there and was born again in the human realm. The canon documents that a hermit who lived in the forest near a lake where blue lotus flowers grew had found the beautiful baby by the side of the lake, beside the flowers. The baby, who was very beautiful with skin the color of a blue lotus, was named Uppalavanna by the hermit. He then decided to adopt the helpless infant. Uppalavanna grew up to be exceedingly beautiful and resembled a celestial nymph (sky-deva). She led a sheltered life alone in the forest with the hermit.

One day, a traveler who was passing through the forest saw the unusually beautiful girl and inquired as to her origin from the hermit. When the hermit explained that she was an orphan and that he had brought her up as his own child, he went back and informed the king of the exceptionally beautiful maiden who lived in the forest. The king decided to make her his consort. Together with his courtiers, he visited the hermit and asked Uppalavanna to be his queen. She agreed. Leaving the forest, she moved into the palace and soon became his favorite.

In her next birth Uppalavanna was reborn in Rajagaha as the wife of a farmer. At this time eight pacceka buddhas had appeared in the world, and Uppalavanna had the good fortune to offer them alms. She had prepared a meal of fragrant rice and was taking it to her husband who was tilling the land when she saw the eight seeking alms. She had immediately given them the meal prepared for her husband and invited them to her home for a meal on the following day. She had then prepared fragrant food and picked eight bunches of blue lotus flowers, which she had offered them after the meal. For a second time, she aspired to be as beautiful as a blue lotus.

Her next documented birth was in Savatthi at the time of Gautama Buddha. The aspiration to be a chief disciple made at the time of Padumuttara Buddha was to bear fruit. Her degrading life -- sharing her husband with her daughter -- was too much to bear. It weighed heavily on her mind. She decided to join the Order of Buddhist Nuns under the Buddha.


Even though the canon documents two instances of Uppalavanna’s aspiration to be as beautiful as a blue lotus, it is most likely that she also renewed her original aspiration to be foremost in supernatural powers and the second chief disciple, because fulfilment of such an aspiration requires great effort and many meritorious deeds. It is likely that her unusual color and exotic beauty attracted more attention, which resulted in the preservation of this section of the text. The fact that Uppalavanna immediately agreed to be a nun under the Buddha Gautama, and the fact that she attained enlightenment shortly thereafter, indicates that there must have been many other instances when she had developed wisdom and spiritual insight and renewed her aspiration after performing meritorious deeds.

At that time it was common for nuns and monks to retreat to the woods to meditate. Uppalavanna returned from her almsround and entered her hut in the Dark Forest. An admirer named Ananda, who was infatuated with her, had entered her hut and hidden under her bed. Shortly after she had laid down to rest, he caught her by surprise, climbed on top of her, and overpowered her. Despite her pleas and protests, he sexually abused her. He then left, sneaking out just as he had slipped in.

The unskilful act of abusing an enlightened being, however, was too powerful. Tormented by his heavy karma, Ananda died burning in the fires of his desire and was reborn in the Avici Hell.

Uppalavanna composed herself and informed the nuns of her ordeal. The nuns in turn informed the Blessed One. The Buddha’s worst fears for his Order of Nuns had come to pass. Uppalavanna, his chief disciple, had been overpowered, abused, and treated with disrespect. Approaching King Pasenadi of Kosala, the Buddha requested that he build a residence for the nuns within the confines of the City. He then made it a monastic rule that nuns should not reside or go alone to meditate in the forest. From that time on, nuns resided only in the city.

Sometime later the monks assembled in the Dharma hall to discuss this incident. There arose a debate as to the needs of Arhats to gratify their passions. The Buddha then cleared up their doubts by informing them that the desire between a man and woman is quenched in those who have attained enlightenment and described an Arhat (brahmin) thus:

"One, who like water on a lotus leaf
Or mustard seed on a needle point,
Clings not to pleasures sensual –
That one I call a brahmin [Arhat]."

Uppalavanna recounts her suffering, psychic powers, and final attainment of liberation in the Verses of the Female Saints (Therigatha) as follows:

"Both of us, mother and daughter
Were co-wives
Of me there was religious excitement
Amazing hair raising.
Woe upon sensual pleasures
Impure, evil-smelling, with many troubles
Wherein we,
Mother and daughter were co-wives.
Having seen the peril in sensual pleasures
And (seeing) renunciation as firm security,
I went forth in Rajagaha from the home
To the homeless state.
I know that I have lived before
The divine-eye has been purified
And there is knowledge of the state of mind
The ear-element has been purified
Supernormal powers too have been realized by me
I have attained the anihilation of craving
(These) six supernormal powers have been realized by me
The Buddha’s teaching has been done.
Having fashioned a four-horse chariot by supernormal powers
Having paid homage to the Buddha’s feet
The glorious protector of the world
I stood on one side."
-- (Therigatha 224-229)

Uppalavanna was often desired by admirers because of her extraordinary beauty. The fact that she was a member of the Sangha (the Buddha’s Monastic Order) did not deter them. She rebukes Mara, the Tempter, over this in the following verses.

"You who are so beautiful
Seated beneath a Sal tree with blossoms crowned
Aware of your own loneliness
Do you not tremble when seducers come along?"
"Though men like you, seducers
A hundred-thousand strong should approach
Not a single hair of mine will rise
Nor will I quake with fear
And so, Tempter, coming alone
Of what effect are you?
I who possess supernormal powers
Can make my form disappear
Between your eyebrows or your belly
I could lodge and stay
How then, Mara, can you see me?
My mind I have so disciplined that
Clairvoyance I have cultivated
The fourfold path I have realized
I know the Buddha’s words and ardently I follow.
Lusts as deadly weapons, rend and tear apart
These our bodies, heirs of senses
Desires of which you speak
Lack all attraction for me.
I have conquered all desire
And rent apart
The murky gloom of ignorance
Know, Tempter, I have triumphed over you."
-- (Therigatha 230-235)

The exotically beautiful and bluish Uppalavanna, who could relate to the suffering women faced, was a great asset to the Buddha. Using her supernormal powers and her gentle and pleasing nature, she helped many thousands of women in their emancipation. Drawn by her beauty, compassion, and gentle manner, many emulated the great female Arhat and also attained enlightenment.

(mandalas.com)