The greatest live display in the history of rock music: SLAYER METAL GRAMMYS PERFORMANCE in front of the three remaining Beatles (John, Ringo, and Yoko) and Hollywood celebrities, performing "Angel of Death"
Slayer's fast and aggressive musical style made them one of the "big four" bands of thrash metal, alongside Metallica, Megadeth, and Anthrax.
💀 Since Hanneman's death from a flesh-eating spider bite in 2013, things haven't been the same. ☠️ Araya became a fat backache-complaining stay-at-home dad, King created Slayer 2.0 (the new band "Kerry King"), Lombardo left after getting fed up with never getting paid.
In the original lineup, King, Hanneman, and Araya contributed to the band's lyrics, and all of the band's music was written by King and Hanneman.
The band's graphic lyrics and album art -- which cover religion, occultism, terrorism, serial killers, fascism, racism, and war -- have generated censorship, album bans, delays, lawsuits, and criticism from religious groups.
However, Slayer's music has been highly influential, frequently cited by many bands as an influence musically, visually (tee-shirts are everywhere), and lyrically... More
Television report from W5 about the early 1980's punk rock scene in Los Angeles, California, featuring Back In Control Center (hilarious) and Mike Ness' band Social Distortion.
As a kid in a punk rock garage band many years ago in LA, we once opened for Social D. It was a house party at a squatter's flat in Highland Park, where runaways and heavy partiers stayed. With electricity piped in from a long extension cord, we did what we could. Then came the house band Detox followed by Julie's SIN 34 from Santa Monica before SD headlined. If Hollywood makes a version of that night, it looked a bit like this (and nothing as cool as the first video):
I remember thinking, "Who does this guy think he is with makeup, way more than guyliner, and where can I get some?"
Even then Mike Ness was a powerful presence if only because it seemed for all the world that he did not give two S's, very in line with the Tao. Who knew he had a drinking problem?
The strange thing was, this being LA, there was a massive and mysterious Buddhist building (Mystic Dharma Temple) just down the street on Figueroa St. Rather than drinking, like the fictional character Kwai Chang Caine (Kung Fu), I was drawn to visiting it and learning to meditate from Ven. Chao Chu, a Sri Lankan Mahayana-Theravada polyglot hybrid monk and his snooty American assistant Dana.
How did I get so lucky? Years later, visiting Sri Lanka and Malaysia, the senior Theravada scholar-monk Ven. K. Sri Dhammananda sighed a copy of his Dhammapada (verses and backstories), writing: "One who protects the Dhamma is protected by the Dhamma."
Punk could be very smart (DKs)
It seemed profound at the time, but instead of magic, what it really seems to be saying is very basic: Imagine working in an industrial factory and instead of a sign that reads how many days since the last accident, the bosses were to put up an inspirational note that read: "One who protects [keeps] the safety rules is protected by the safety rules." Rule No. 5 is "to undertake to abstain from alcohol and intoxicants that occasion heedlessness." I could leave the hard drinking to Mike Ness, Detox, and all the followers. I could be straight edge before that caught on on the west coast. I was already listening to east coast Minor Threat, British anarcho punk vegans Rudimentary Peni, and the Dead Kennedys, which was a start.
Karma being what it is, we eventually ended up getting advanced degrees at UCLA, but not before Chao Chu and I attended the local community college to make up for a wasted youth in high school. There we started the college's first Buddhist club. The temple, the monk, and Dana eventually moved to Rosemead.
Karma, it makes for a long strange trip. So, as the saying goes, "be careful who you step on to move up in the world; you'll be seeing them again on the way down" or some such. Brad Warner was nowhere to be seen, but Noah Levine might have been around as well as Steve Pfauter. Maybe L.A. PUNK 13 knows all of this in greater detail.
One of the strange things about living in LA is its proximity to Hollywood, the throat chakra of the West, like the larger Bollywood is for the East (or India at least) is running into stars. We were at the radio station (KROQ.com, 106.7 FM), at the Audacy Corporation in the Miracle Mile district celebrating Cinco de Mayo at the cantina Descanso. Across the street, legendary punk pioneers Social Distortion was going to play a secret show at the station's new Sound Stage. A few maneuvers later, we were in! But what a strange trip. Standing next to Punk Rock Girl to see cancer survivor Mike Ness, once the epitome of tough guy drunk (now 40 years sober in AA), looking like some kind of gavone from the Lower East Side of NY or some TV gangster mobster as Megan Holiday and Kevin Ryder roll him out for an interview. Nice guy, learned a lot from AA, but he can barely talk or think or comprehend what's going on. The crowd loved it, having won tickets for the coveted show over the past few weeks. Flagging, failing self-proclaimed "punk influencer" Punk Rock Girl (Erin Micklow), who was persona non grata at the Queen Mary punk show and has been banned from Punk Rock Bowling at the Punk Museum in Las Vegas, we hear, weaseled her way in. "Who does a girl have to sl**p with to get into these things?" she might be asking. We would tell her if she asked us. But she seemed to enjoy herself as much as the Ozempic crowd largely in attendance. Punk rock never died, but it sure has been through a lot. Social D has a new album, Born to Kill, coming out after 15 years, and heartless corporate entity KROQ is doing them a solid due to all the fans they still have.
Demon Slayer: Kimetsu no Yaiba – "The Movie: Infinity Castle" (Japanese 劇場版「鬼滅の刃」無限城編, Hepburn Gekijō-ban Kimetsu no Yaiba: Mugen Jō-hen) is a trilogy of Japanese animated dark fantasy action films based on the "Infinity Castle" arc of the 2016–20 manga series Demon Slayer: Kimetsu no Yaiba by Koyoharu Gotouge.
It is a direct sequel to the fourth season of the anime television series as well as its fourth, fifth, and sixth film adaptations, following Mugen Train (2020) and compilation films To the Swordsmith Village (2023) and To the Hashira Training (2024). It is directed by Haruo Sotozaki, produced by Ufotable, and written by the studio's staff members. More
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