One of the sexy readers today just happened to be one of next month's features, Joseph Nicks, a man after the biological and whimsical, the terrestrial and environmental.*
He is currently working on a dictionary of Nickisms, his invented contributions to the English lexicon, like the term chronicide.**
Ron Koertge
Life is but a poem...or novel. (Ron Koertge)
(Poetry Foundation) South Pasadena Poet Laureate Ron Koertge, former PCC professor and current bestselling YA author, then schooled us all on how to present life in the Midwest roundabout the Fifties.
() Poet and young-adult novelist Ron Koertge grew up in rural Olney, Illinois, and received a BA from the University of Illinois and an MA from the University of Arizona.
Is no topic verboten in poetry?
Comfortable in both free verse and received form, Koertge writes poetry marked by irreverent yet compassionate humor and a range of personas and voices. He has published numerous collections of poetry. His novels and novels-in-verse for young readers include the popular Stoner & Spaz.
Koertge’s honors include a fellowship from the National Endowment for the Arts, a California Arts Council grant, and inclusion in numerous anthologies such as Best American Poetry, Poetry 180, and Ted Kooser’s “American Life in Poetry” column.
Koertge’s young-adult fiction has won awards from the American Library Association and PEN America. For many years, Koertge taught in the MFA in Writing for Children & Young Adults program at Hamline University in St. Paul, Minnesota. He lives with his wife in South Pasadena, California. More: Poetry Foundation
In the crowd
Other readers were in the house: GT Foster was reading from Warped by War his new collection of poems about being in Thailand during the US War on Vietnam (and Cambodia and Laos), derived from his novel The Boys Are Not Refined (Butt Naked Press). Helena and other Quakers, Toti O'Brien, Barbs Bagwell, and British poet Martin Jago.
Perhaps the highlight of the night was when Mandy Kahn hit below the belt and delivered an exquisite work of poetic art she dubbed "Poo." The audience thought they might have heard "Pooh." But no. It was poo. It was the most provocative of topics covered due not to its candor but its seriousness. To mimic it as to suggest what it was like would be difficult butt not impossible:
(Poetry Foundation) ...in true LA form, enthusiastically live-tweeted by audience member Jenna Elfman, Mandy Kahn has been developing more ideas for poetry installations — an active syllable conservationist; she's now dubbed them "Kahnstallations." She says:
Mandy Kahn, live at the Getty Museum, LA
I’ve been thinking a lot about how to inject some energy into the poetry reading format. Slam poets have found a way to make their readings extremely appealing to wide audiences, as have the spoken word poets, and the avant poetry world seems to be doing lots of format experimentation, too. But I’d like to see mainstream poets find that same wider audience — that audience of fans who aren’t writers themselves. So I’m experimenting. Tonight I’ll be trying out four installations, and at the end of the night I’ll pass out comment cards so audience members can let me know which installations worked best for them. And I’ll keep writing new installations — keep honing — until I find a few that audiences seem to respond to. More
What is "slam" poetry?
SLAM: (Youth Speaks) "Somewhere in America" by Los Angeles Team
Poetry slam is a competitive art event in which poets perform spoken word poetry before a live audience and a panel of judges.
"Do You Have Any Advice For Those of Us Just Starting Out?"
By Ron Koertge
Featured poet Ron Koertge, MFA
Give up sitting dutifully at your desk. Leave
your house or apartment. Go out into the world.
It's all right to carry a notebook but a cheap
one is best, with pages the color of weak tea
and on the front a kitten or a space ship.
Avoid any enclosed space where more than
three people are wearing turtlenecks. Beware
any snow-covered chalet with deer tracks
across the muffled tennis courts.
Not surprisingly, libraries are a good place to write.
And the perfect place in a library is near an aisle
where a child a year or two old is playing as his
mother browses the ranks of the dead.
Often he will pull books from the bottom shelf.
The title, the author's name, the brooding photo
on the flap mean nothing. Red book on black, gray
book on brown, he builds a tower. And the higher
it gets, the wider he grins.
You who asked for advice, listen: When the tower
falls, be like that child. Laugh so loud everybody
The hominid hand. Its prehensile qualities (due largely to that remarkable opposable thumb) are legendary. It is perhaps the only anatomically advantageous structure this animal possesses. That oft-touted capacious cerebrum seems as often as not to allow itself to swell with a meaningless steam that marginalizes whatever intellectual potential it had in the first place. And with that pushed-in rostrum tucked up under the cranium and bent into an L-shaped labiolingual-laryngeal mess that imparts to this animal the power of speech, well that ability seems rarely to be put to good use.
No, it is the manus hominis that has allowed this species to be so constructive. Of course, as with those other two aforementioned structures, it can be just as adept at wielding weapons as it can tools. And when it is clenched into a fist, it is pretty much useless for anything other than fucking things up.
Though some of them may be infused with a certain degree of anger, none of the poems in this book, for example, could have been written had these fists not managed to come occasionally unclenched. More
*Killing a Homo (as in a Homo sapiens or "Man thinking") is homicide so, naturally, killing time is Chronicide (a Nickism by Joseph Nicks).
Ron Koertge, Mandy Kahn, Joseph Nicks, Steve McQueen (Papillion, 1973); all uncredited poetry by Dhr. Seven, Ananda (Dharma Buddhist Meditation) (ed.), Wisdom Quarterly
It can't just be our ears. This song and aesthetic are so very reminiscent of what? Remember a hit ("Unholy") for transgender Kim Petras and her chubby co-singer, what's his name, Jam Jiff? It's also so very Charli XCX. What a rip, Tate. (Tate's previous hit, "Greedy," is great but too sexy a striptease video for us to have posted; of course, in light of what Olivia, SZA, Megan, Taylor, Chapel, Katy, Bey, and others have to do to get noticed, it's brutal out there). See McRae on tour (tatemcrae.com), where she's "Miss Progressive," an insult to political liberals who are more forward thinking than all the regressive forces arrayed against us. Her new smash hit follow-up album release drops at midnight and can be heard for a first listen on KISS (102.7 KIIS-FM Los Angeles | iHeart).
(The Tony Michaels Podcast) "The Project 2025 Song" was written, animated, and performed by Jason Kravits. Produced and mixed by Sean Dixon with Jason Kravits on guitar, Sean Dixon on drums and bass, Christopher Walz on banjo, and Brian O’Neill on second banjo.
Kravits: Eternal gratitude to these intrepid researchers who shared the burden of reading the entire Project 2025 doc so I wouldn't have to: Doug Bost, Hershel Graubard, Whitney Byrn, Dave T. Koenig, Lynn Filusch, Bill Forth, Tracy Sallows, Stephen Lay, Jennifer Mendenhall, Spencer Aste, Julie Pearl, Mary Tucker, Kristina Erikson, Jill Siroty, Jane Beard, Melinda Buckley, Joel H. Jones, Betsy Zajko, Elizabeth McFadden, Joe Musemici, Geneva Carr, Linda Rose Payne, Brendan Murray, and other fine friends who wish to remain anonymous. Special thanks as well to: Elizabeth Dement, Mary Tucker, Dan O’Shannon, Mort Milder, Joel Jones, Doug and Carolyn Bost, Amy Engelhart and Jeff Ward. And to all the folks who created the music and visuals for the original Schoolhouse Rock videos on ABC.
(Rob Scallon) Master of banjos, I'm plucking your strings!!!
Subscribe for May-tallica
iTunes: itunes.apple.com/us/album/mas...
Metallica's "Master of Puppets" but on banjo, with a solo on keytar, y'know, Internet.
Keytar performed by Wheezywaiter: wheezywaiter
Here's every take of his keytar solo:
• Every Keytar Take. Mixed by Pete Cottrell: peteplaysmusic
Rob Scalion ft. Leo Moracchioli Slipknot "Psychosocial" and "Duality"
(Frog Leap Studios) Thanks to Gjesdal Brass Band for letting [Leo] use their place. Buy his albums or singles here: LOUDR ► http://bit.ly/1YTc7Mk ITUNES ► http://apple.co/1Lni4PR AMAZON ► http://amzn.to/1U2rqUa GOOGLE PLAY ► http://bit.ly/1SOd6Nx Frog Leap Studios merchandise here: US ► http://bit.ly/1qZ64KP EU ► http://bit.ly/1NXI3Zz. Become a Patreon and get all the songs and support Leo doing more music covers: frogleapstudios. Want to send him something?
Postboks 27
4333 Oltedal
Rogaland Norway
MESSAGE FROM LEO: Hi there, my name is Leo, and I run a studio on the westside of Norway, where I record and produce bands, do video work, and play live shows. On my YouTube channel there is lots of videos with covers, gear reviews, studio updates and other shenanigans. For my covers I play everything myself as well as record, mix, master, shoot, and edit the music and videos. Please subscribe if you like what you see and hear. I am forever grateful to everyone who buys songs so I can keep doing this for a living. I do not add people I don't know on my personal Facebook page, so please follow these links, which are my "fan" pages: YouTube ► leolego, Facebook ► frogleapstudios Twitter ► frogleapstudios Instagram ► frogleapstudios. Website ► frogleapstudios.com
Pantera "Cemetery Gates" (banjo cover). It's a Southern thang
Pantera "Cemetery Gates" Gone Polka by Steve 'N' Seagulls | Metal Injection
(Crime Dynasty) This video does not glorify violence. Violent words are bleeped or excluded. No harmful actions are explained nor covered in detail. All sensitive events are explained in an informational context for the documentary without being exploitative or dismissive. The history of drug trafficking is explained in an educational context. Such documentaries are made strictly for educational and informational purposes and do not in any way endorse this channels' views. Each video is thoroughly researched with new editing and narration.
ABOUT: Welcome to Crime Dynasty, which informs and educates about the most infamous cartel lords, most notorious prisoners, most infamous serial k*llers, and everything in between. Fans of TV shows like Narcos and true story documentaries, be sure to subscribe to the channel.
So you want to audition for Lines? Are you an actor or are you interested in acting? Hollywood Fringe meta-comedy LINES is casting. Stipend provided. Audition tapes are due by Friday, March 22, 2024, at 11:59 pm (PST).
Super awesome, kind, cool, and organized team. The simplistic and flimsy flyer has a QR code for details. This where it leads: site.
We are now casting for Lines, a meta-comedy premiering at the Hollywood Fringe this summer in June of 2024. Below is a dedicated page with all of the information: character bios, key dates, rehearsal commitment details, and next steps. Check out the Instagram to meet the dm and chat.🌟
📝 SUMMARY Lines opens on a blank stage with nothing but an empty hospital bed. One by one, members of the Jennings family enter the hospice room to say goodbye to Gladys, their dying matriarch.
This repeats the next day, and the next…and family tensions are revealed as they deliver monologues of regret, resentment, and gratitude to the sound of a heart rate monitor.
Without any warning, the Playwright stands and calls the whole thing off, declaring their work "a piece of sh*t." From the back row, an Audience Member convinces them to finish.
The Playwright, with nudges and advice from the Audience Member, begins to write new scenes in real time, experimenting with different themes, introducing and then retracting new plot points, changing character’s traits, and struggling to generate something that feels authentic and true to the story — especially for the character Gerry.
Gerry remains inconsistent, mysterious, or absent until the climax of the play when it is revealed that Gerry is in fact the self-insert of the Playwright [they/them], who is reckoning with their complicated relationship with their own recently deceased mother.
Only by acknowledging their grief does the Playwright finally figure out how to write Gerry’s goodbye to their mother — and they enter the play to deliver the final monologue in a moment of long-awaited catharsis and vulnerability. More
The Simpsons; Kat Tenbarge, NBC News; Pfc. Sandoval, Seth Auberon (eds.), Wisdom Quarterly
Mickey Mouse copyright expiration inspires horror movies, video games, and memes
Don't touch my patent or I'll sue.
The cartoon rat "Mickey Mouse" will finally appear in new, non-Disney creative works after 95 years of copyright protection of the character expired on Jan. 1, 2024.
With this, early versions of Mickey Mouse are now part of the public domain and non-Disney creators can use them in their own for-profit works (like that time The Simpsons made a Steamboat Willie knockoff segment).
Just in the last two days, independent video game creators and film directors have announced two horror movies and a video game featuring the character, while memes are spreading online showing Mickey in absurd and inappropriate scenes, including nautical accidents and terrorist attacks.
Mickey Hitler fights for Israel, and Donald Hamas gets slaughtered and eaten? The quick capitalization on Mickey’s updated copyright status is the most recent example of how iconic pieces of intellectual property can be quickly remixed and recycled in the digital age for art and profit. Let's hope that rappers don't start drawing comic strips or else it may invent a whole new genre of cartooning that takes over the world.
1928’s “Steamboat Willie” and “Plane Crazy” were the first two Walt Disney Animation releases to feature Mickey and Minnie Mouse, and the former was the first moving picture synced to sound.
The characters were first protected under U.S. copyright law for 50 years, then Disney campaigned for and received extensions to further capitalize on the invention against the interests of everyone else.
As Disney’s grip on the intellectual property rights surrounding the earliest versions of Mickey Mouse have come to an end, creators have poked fun at the numerous possibilities that could come from the change. More
WHAT HAPPENED? It was the biggest parade ever with countless Monsanto [now Bayer Corporation] corn tortillas being thrown in appreciation of the freak flag, guys in drag, and all the wit, irony, and anti-Israel sentiment one would want in an anti-mainstream flotilla of nonsense. If only Republicans could have seen it. It was not even Democrat-friendly. This is an event for Greens, Peoples Party petitioners, Independents (not LaRouchian Libertarian types), and those willing to speak truth to power. Not that most people are paying attention. If there's one this this event is not is a Grand Tournament of Roses "Rose Parade," though it took place on the exact same spot, a stone's throw from the world-famous Rose Bowl. The after party was at the Old Towne Pub with a band headed up by one of the Hair: The Musical actors and strange vehicles, the rainbow clad, Asian gawkers, and just about the clearest skies after the rains one could ever wish for in Los Angeles.
(What's Up Pasadena!) Doo Dah Parade
Pasadena Media, Dec. 22, 2017: The occasional Pasadena Doo Dah Parade celebrates 40 years of irreverent frolicking on the streets of Pasadena, California, in East Pasadena along Colorado Boulevard, the original Route 66.
Website: pasadenamedia.tv/what-s-up...
Neo-Nazi marchers descended on Madison, Wisconsin [nowhere near Pasadena or Columbus], for a twisted weekend rally, prompting swift condemnation from state and local pols and University of Wisconsin-Madison officials. A group of approximately 20 people [angry white guys] dressed in red and black and masks while waving large [swastika] flags and making the [old] Nazi salute ["Heil, Hitler"] made their way from State Street near the UW-Madison campus to the state capitol Saturday, cops [who were on hand to make sure no one stopped them or stood in their way] said [proving that racist white supremacy is still alive and well in the heart of the USA]. More
All materials on this site are submitted by editors and readers. All images, unless otherwise noted, were taken from the Internet and are assumed to be in the public domain.
In the event that there is still a problem, issue, or error with copyrighted material, the break of the copyright is unintentional and noncommercial, and the material will be removed immediately upon presented proof.
Contact us by submitting a comment marked "private."
Do not follow this journal if you are under vinaya or parental restrictions. Secure protection by Sucuri.
Wisdom Quarterly: American Buddhist Journal is licensed under a Creative Commons Attribution-Noncommercial-Share Alike 3.0 United States License. Permissions beyond the scope of this license may be available at creativecommons.org/about/licenses.