Showing posts with label D.T. Suzuki. Show all posts
Showing posts with label D.T. Suzuki. Show all posts

Friday, May 29, 2026

Voice of Zen Buddhism Alan Watts wrong?

(Buddha's Wisdom) Was Alan Watts wrong about Buddhism? The truth behind the "Voice of Zen"

How can I effortlessly go with the flow?
Wu wei (無為, 无为, wúwéi) is a concept from ancient pre-Buddhist Chinese philosophy that literally means "not-acting" or "non-doing," variously interpreted and translated as "noninterference," "action-lessness," "inaction," or "effortless action" [1, 2].

In Taoism, it denotes the nature of Tao, meaning that while Tao (the Way, Path, or flow of natureacting in accordance with the natural course of things), is the source of all existence and the manifestation of all phenomena, its intrinsic formless essence is that it acts or moves in a silent, invisible, ineffable, often-unnoticed manner that may even seem motionless and effortless [3, 4, 5, 6, 7].

It's all a matter of seeing the Suchness!
Accordingly, Taoists (and subsequently Zen Buddhist practitioners) aspire to live their lives in alignment with such a harmonious state of free flowing and unforced activity. In a political context, it also refers to an ideal form or principle of spontaneous and non-aggressive form of governing [8]. More

Zen Reconsidered: It's all "Suchness"
What is "suchness"?
What is Suchness? All is Suchness.
Tathātā
(Sanskrit तथाता, Pali tathatā) is a Buddhist term variously translated as "Suchness," "Thusness," "True Thusness," or "True Suchness," referring to the Ultimate Reality, the intrinsic and essential nature of all existence, free of dualistic thinking, conceptualization, subject–object distinctions [1].

It is formless, uncreated, eternal, perfect, unchanging, indestructible, and is the true nature of all phenomena. It represents the genuine reality of existence, which transcends physical forms, physical senses, and intellectual comprehension, indicating a profound insight into the nature of things as they truly are [2, 3, 4].

Tathātā has a large number of synonyms found in different Buddhist schools, traditions, and scriptures, such as:
  • Emptiness (śūnyatā 空),
  • Reality Realm (bhūta-koṭi 實際、實相),
  • True Suchness (bhūta-tathatā 真如),
  • Dharma Nature (Dharmatā 法爾、法然、法性),
  • Dharma Realm (Dharma-dhātu 法界),
  • Dharma Body (Dharma-kāya 法身),
  • Nirvana (Nirvāṇa 涅槃),
  • Vajra (金剛),
  • Actionlessness (無爲),
  • Dharma Intrinsic Nature (Dharma-svabhāva 法自性、法自然),
  • Buddha-nature (Buddhatā, Buddha-svabhāva 佛性),
  • Tathagata-Treasure (Tathāgata-garbha 如來藏),
  • The True Reality of all phenomena (sarva-dharma-tathatā 諸法實相), and so on [3, 5, 6].
Although it is a significant concept in Mahayana Buddhism, it is also used in the Theravada tradition [7, 8]. More


What to do? Go with the flow

Tuesday, February 4, 2025

Alan Watts: self-will. Jiriki vs. Tariki


55 Zen quotes to calm the mind
It might be good if Ananda's student, the struggling American meditator "Doggone," not to be confused with Ven. Dōgen, could learn from former soldier in the U.S. military Ven. Scott, who has found peace through Zen practice, which includes a lot of Taoist philosophy (and probably a sizeable amount of Confucianism and Shinto, too).

It's hard if not impossible to get a "pure Buddhism" as the Dharma is always steeped in a culture colored by shamanic and other preexisting spiritual traditions and philosophies.

Look, Everybody, I'm being mindful and Zen.
The West is a good example. We color the heck out of Buddhism to make it understandable, not realizing how much we're distorting what the Buddha taught. Early Buddhism was colored by Saka/Scythian (Central Asian) and Vedic proto-Indian (Brahminical, Magadhi, subcontinental views) customs and cultural baggage.

Not all forms of "Buddhism" are alike.
Instead of muscling through everything, efforting and straining, there's a better way that bends with the wind, goes with the flow, and thereby follows "The Way," the Tao.

Western translator and spiritual entertainer Alan Watts speaks of a great divide in outlook in Japan that developed in Buddhism: self-power (jiriki) versus other power (tariki).

Can we do the impossible and pull ourselves up by our own bootstraps? Or must we rely on some higher power, an outside source, to pull us out of the mire?

In practice, the latter may make more sense or seem much easier. The former may work, but it will take subtlety and great mindfulness (sati-patthana) so that ego is not just leading ego around, self-willed as it has so long been, thinking it's getting anywhere worth going.

Let's shut up and stop talking to ourselves to see

Is Pure Land Buddhism even still Buddhism?
Will faith in something outside ourselves us save us? Yes, there are the Three Treasures, the Three Jewels to whom we can go for enlightened guidance: the historical Buddha, the early Dharma, and the noble Sangha.
  • It is important to qualify these words as nowadays there are lots of buddhas or alleged "supremely enlightened teachers, and many latter-day interpretations of the Dharma (the Buddha's Teaching or Doctrine), and it is not the monastic Sangha ("spiritual community") that serves as this ultimate guide but rather the "noble" (Aryan/Ariya) or enlightened community, which refers to these eight people, who may or may not be Buddhist monastics.
  • It is NOT "going for refuge" but for "guidance"
  • Sarana means "going for guidance" not "refuge"
Can we just worship Goddess Guanyin instead?
Or must we take responsibility for our behavior and cultivate our own direct wisdom? (Of course we must do this, but the former may help in doing it).

Two Buddhisms have developed in Japan over this vital question of tariki versus jiriki. Shall we follow the example of the historical Buddha or the later (possibly make believe) "Cosmic Buddhas," who seem more like old time Vedic/Hindu gods (brahmas and devas) than the buddhas the Buddha talked about as having taught in the distant past.

There is Amitabha, Ksitigarbha, Avalokiteshvara (Guanyin, Kwan Yin, Kwannon), Budai, or whoever. It is the Kali Yuga (the "Decadent Age") after all, as Hinduism's holy books, the Vedas, tell Mahayana Buddhists. In these dark times, blind faith will seem far more attractive to faith-types full of attachments than the letting go asked of us by wisdom, confidence (saddha, reasoned and verifiable faith, conviction), and a persevering-practice.

Sit a little every day; that is far more powerful thana marathon effort every so often. Practice is key. Even trying to sit once will make this tariki vs. jiriki debate suddenly make sense. In the meantime, listen to Alan Watts. He, though irascible with an irreducible rascality, knows a thing or two.

Thursday, November 7, 2019

Zen: What freedom means (D.T. Suzuki)

Maria Popova (brainpickings.org); Ashley Wells, Dhr. Seven, CC Liu (eds.), Wisdom Quarterly
Illustration by Andrea Dezso for fairytales of the Brothers Grimm (brainpickings.org)
Buddhist prayer flags (illustration by Lizi Boyd from "Flashlight," brainpickings.org)

D.T. Suzuki on What Freedom Really Means and How Zen Can Help Us Cultivate Our Character

“The ego-shell in which we live is the hardest thing to outgrow.”

Alan Watts may be credited with popularizing Eastern philosophy in the West, but he owes the entire trajectory of his life and legacy to a single encounter with the Zen Buddhist sage D.T. Suzuki (1870-1966) — one of humanity’s greatest and most influential stewards of Zen philosophy.

At the age of 21 Watts attended a lecture by Suzuki in London, which so enthralled him that he spent the remainder of his life studying, propagating, and building upon Suzuki’s teachings.

Legendary composer John Cage had a similar encounter with Suzuki, which profoundly shaped his life and music.
Cats who don't meditate are jealous and mean.
In the early 1920s, spurred by the concern that Zen masters were “unable to present their understanding in the light of modern thought,” Suzuki undertook “a tentative experiment to present Zen from our common-sense point of view” — a rather humble formulation of what he actually accomplished, which was nothing less than giving ancient Eastern philosophy a second life in the West and planting the seed for a new culture of secularized spirituality.
Kittens love sincere meditation teachers.
But by 1940 all of his books had gone out of print in war-torn England, and all remaining copies in Japan were destroyed in the great fire of 1945, which consumed three quarters of Tokyo.

In 1946, London Buddhist Society President Christmas Humphreys set out to undo the damage and traveled to Tokyo, where he began working with Suzuki on translating his new manuscripts and reprinting what remained of the old. The result was the timeless classic Essays in Zen Buddhism (public library), originally published in 1927 — a collection of Suzuki’s foundational texts introducing the principles of Zen into secular life as a discipline concerned first and foremost with what he called “the reconstruction of character.”

As Suzuki observed, “Our ordinary life only touches the fringe of personality, it does not cause a commotion in the deepest parts of the soul.” His essays became and remain a moral toolkit for modern living, delivered through a grounding yet elevating perspective on secular spirituality.
Suzuki begins at the beginning, laying out the promise of Zen in our everyday lives:
Zen in its essence is the art of seeing into the nature of one’s own being, and it points the way from bondage to freedom. By making us drink right from the fountain of life, it liberates us from all the yokes under which we finite beings are usually suffering in this world. ...
This body of ours is something like an electric battery in which a mysterious power latently lies. When this power is not properly brought into operation, it either grows moldy and withers away or is warped and expresses itself abnormally. It is the object of Zen, therefore, to save us from going crazy or being crippled. This is what I mean by freedom, giving free play to all the creative and benevolent impulses inherently lying in our hearts. Generally, we are blind to this fact, that we are in possession of all the necessary faculties that will make us happy and loving towards one another. All the struggles that we see around us come from this ignorance… When the cloud of ignorance disappears… we see for the first time into the nature of our own being.
One of Suzuki’s most overlooked yet essential points — and one particularly prescient in the context of what modern developmental psychology has found in the decades since — has to do with the crucial role of adolescence as a pivotal point in moral development.

The teenage years, he argues, are when we begin “deeply delving into the mysteries of life” and when we are “asked to choose between the ‘Everlasting No’ and the ‘Everlasting Yea’” — a notion young Nietzsche intuited half a century earlier when he resolved, “I wish to be at any time hereafter only a yea-sayer!”

At this fork in the road of existence, Suzuki insists, mastering the principles of Zen can make the critical difference in leading us toward a meaningful and fulfilling life. He writes:
Life is after all a form of affirmation… However insistently the blind may deny the existence of the sun, they cannot annihilate it.
Much of that blindness, he admonishes, comes from our attachment to the ego. Paradoxical as it may sound to any parent or teacher of a teenager, Suzuki suggests that adolescence is the time most fruitful for the dissolution of the ego:
We are too ego-centered. The ego-shell in which we live is the hardest thing to outgrow… We are, however, given many chances to break through this shell, and the first and greatest of them is when we reach adolescence. More

Sunday, June 22, 2014

ZEN: "The Void," "Sex in the Church" (video)


Brad Warner (Hardcore Zen)
British Zen Buddhist, Taoist, Episcopalian teacher Alan Watts is an inspiration to Californians, where his show continues to air on Los Angeles' Pacifica Radio (KPFA.org) thanks to Roy of Hollywood Tuckman (8:00 am Sundays, midnight Thursdays).

This video is the fourth episode of Alan Watts' 1959 KQED TV series "Eastern Wisdom and Modern Life." (DVDs available at alanwatts.com/collections).

Alan Watts was an unabashed lover
A native of England, Watts attended the King's School near Canterbury Cathedral. At 14 he became fascinated with the philosophies of the Far East. By 16 he regularly attended the Buddhist Lodge in London, where he met Zen scholars Christmas Humphries and D.T. Suzuki. As a speaker and contributor to the Lodge's journal, The Middle Way, he wrote a series of philosophical commentaries and published his first book on Eastern thought, The Spirit of Zen, at age 21. In the late thirties he moved to New York, and a few years later he became an Episcopalian priest. In 1942 he moved to Illinois and spent the wartime years as chaplain of Northwestern University.
Square to hippie (ianmack.com)
In 1950 he left the church, and his life took a turn away from organized religion back toward Eastern ways and expanding horizons. After meeting author and mythologist Joseph Campbell and composer John Cage in New York he headed to California and began teaching at the American Academy of Asian Studies in San Francisco.

There his popular lectures spilled over into coffehouse talks and appearances with the well-known beat writers Jack Kerouac, Gary Snyder, and Allen Ginsberg. In late 1953 he began what would become the longest-running series of Sunday morning public radio talks, which continue to this day with programs from the Alan Watts Tape Archives.
In 1957 he published the bestselling The Way of Zen, beginning a prolific ten-year period during which he wrote Nature, Man and Woman; Beat Zen, Square Zen and Zen; This Is It; Psychotherapy East and West; The Two Hands of God; The Joyous Cosmology; and The Book: On the Taboo Against Knowing Who You Are.

By 1960 Watts' radio series "Way Beyond the West" on Berkeley's KPFA.org had an avid following on the West Coast, and NET TV began national broadcasts of the series "Eastern Wisdom in Modern Life." The first season, recorded in the studios of KQED, a San Francisco TV station, focused on the relevance of Buddhism, and the second on Zen and the arts.

Sunday, February 24, 2013

ZEN: The Swordsman and The Cat (audio)

D.T. Suzuki ("Zen and the Samurai"), Christopher Reed (voice); Wisdom Quarterly

(Clothcompany/flickr.com)
"Zen and the Samurai" is part of Suzuki's book, Zen and Japanese Culture, which explores Zen Buddhism as it applies to the life of the warrior -- sustaining warriors both morally and philosophically.

It is the work of a great Zen master to be familiar with both the sword of life and the sword of death so as to know when, whether, and how to wield them.

In simple, at times poetic, language, which he enhances with anecdotes and poetry, these are studies of the lives of some of Japan's greatest swordsmen. 
 
Suzuki explores the military mind and ultimately brings us to a new understanding of the meaning and symbolism of the "sword" and the code of bushido -- "the way of the warrior."

Friday, February 22, 2013

KOAN: Zen Strawberry redux (video)

Ashley Wells, Dhr. Seven (translation), Pat Macpherson, Wisdom Quarterly
Cristina "Is That All There Is?" (via our friend Los Angeles DJ Rodney Bingenheimer)

We have been getting a great deal of attention for adding dimension to one of the most famous Zen riddles of all time (Money, Karma, or a Zen Strawberry), one we call...
  
Mara's Cliffhanger Koan
A person traveling across a field encountered a tiger and fled, the tiger giving chase. Coming to the edge of a cliff, clambering over, and taking hold of the root of a wild vine, s/he was now stuck in a precarious position over the edge. The tiger sniffed and snarled above. Trembling, the person looked down and saw another tiger sniffing and snarling below. Hanging onto the vine for dear life, the person suddenly realized that there were two mice, one white the other black, gnawing at the vine.
 
Curious in the Garden of Eden
Then suddenly there, next to the vine, s/he noticed a luscious strawberry. Grasping the vine tightly with one hand, plucking the strawberry with the other -- how sweet it tasted!

(This koan might make more sense if the Zen strawberry were replaced with a Jewish apple -- a "deadly poison" appealing enough to distract one from the bigger predicament it would get one in).

What does this koan mean?
"Enjoy life to the fullest"? "Catch as catch can"? "Seize the day/Carpe diem"? It could, but it more likely has a whole different meaning, as explained by Dr. John Suler.
According to Suler's Zen Stories To Tell Your Neighbors:  

"One reader claimed that Thomas Cleary once told him that the original ending of this story was quite different. According to Cleary, D.T. Suzuki changed the ending because he thought the original [ending] would not appeal to Westerners. The story was then picked up by others, such as Paul Reps. In the original version, the strawberry turns out to be, in fact, deadly poison."

So the "strawberry" is quite like sensual distractions -- that lead again and again to death -- in our precarious samsaric situation. 
 
Samsara simplified as only Six Realms
Samsara (a wheel depicted in the Tibetan thangka on the right) literally means "the continued wandering on" from rebirth to rebirth and, inadvertently, redeath to redeath. What is our motivation? Why are we doing this?
 
The Buddha saw and understood that sentient beings have three mindless motivations: craving for sensual pleasure, craving for renewed existence (again becoming as if grasping for eternal life), and craving for annihilation. 
 
We chase these three life after life, and reappear according to karma in search of them in pleasurable and miserable states.

World after world, revolving in samsara
Including black and white micsuggests birth and death, duality, this versus that thinking. 
 
With birth comes death, but only after old age, sickness, good times, and youth. It just revolves this way ad nauseum until we say something like: "Is that all there is? Because if that's all there is, then someone stop this Ferris wheel. I want to get off!"