His Holiness to attend Long Life Prayer offered to him by Dhasa Dhotoe Welfare Society and Lodrik Welfare Assn. at Main Tibetan Temple in Dharamsala, HP, India on April 22, 2026
[If I want to hang out at Jeff's NY apartment, I...]
Office of HH Dalai Lama, Feb. 8, 2026: "Some recent media reports [including Wisdom Quarterly: American Buddhist Journal] and social media posts concerning the “Epstein files” are attempting to link His Holiness the Dalai Lama with Jeffrey Epstein.
We [the PR arm of dalailama.com] can unequivocally confirm that His Holiness has never met Jeffrey Epstein [no matter what Mr. Epstein's biographer, journalist Michael Wolff, says] or authorised any meeting or interaction with him by anyone on His Holiness’s behalf. [Case closed. Don't ask us about it, and definitely don't mention it to His Holiness because it might embarrass Him.] The Office of His Holiness The Dalai Lama | The 14th Dalai Lama
Joichi Ito (Epstein-Dalai Lama's go-between)
Congressional Gold Medal for service to CIA, Zionism, anti-China war? Pres. Bush, Byrd, Pelosi
What does the Moon matter? O, shining Chandra, glowing Soma, ever changing Luna...
Well, once upon a time in East Hollywood at Dharma Punx on Melrose Avenue, across from Los Angeles City College, I met a beautiful meditator. Let's call her Vanity Lycan. This is her saga, about how she traveled to India and had an experience of enlightenment, sort of.
We became friends, and she so trusted me that she asked me if I wanted to accompany her to India. She was going, among other places, to Dharamshala (the Dalai Lama's abode in the Himalayas).
Heavens yes, I thought as I said, "Hells yeah!" Sadly, this being LA, something came up that could not be put off, and she could not change her round-the-world ticket. So we vowed to stay in touch online so I could guide her from on high. There might be pitfalls along the way for a Western gal on a solo-travel adventure that she didn't think of but that I could solve.
I remember one email then radio silence. It was a about year later as I was sitting at the weekly meditation meeting. When it opened up for shares, someone started to talk and cry. Imagine my astonishment, being hypervigilant and too easily annoyed by anything I notice and ignore while trying to sit still. It was her!
I hadn't noticed. I had forgotten even to wonder what had happened to her since it had been so long. There she was a few feet away on a cushion, crying. No one much listened to what she was trying to say.
But I thought I understood -- a lone girl wandering around at night in a strange country with strangers and men being what they are (though they didn't used to be like that in most of India in the times that I was there, which was a big surprise). She kept telling me that I didn't understand. Something had happened to her on the trip. I really thought that for once I did get. I didn't need it spelled out. I should have been there to prevent it.
What does one who knows say?
I was wrong. It wasn't a case of [S.A.] like 99% of people would have guessed and not been surprised to hear.
She confessed she had become "enlightened." Of course, it's not real Buddhist enlightenment (bodhi, liberating insight, thorough comprehension of the Four Ennobling Truths, touching nirvana, comprehending anicca, dukkha, and anatta by direct experience of the ultimate truth). It was nothing like that at all.
What was her "enlightenment," not having a better word for the spiritual, psychological, entheogenic madness that was now going on? Her chakras had spontaneously opened, and with that come the powers of each chakra. It is not the real thing but that thing that happens to many Western travelers every year.
Was Wicca wise to the ways of the Moon?
Argue until you're blue in the face that she didn't know what she was talking about. But I had seen this before and heard about it from one superwoman who not only experienced it but survived and studied it academically to help others undergoing the premature experience, calming and closing those chakras up again until ready to move kundalini energy up the spine for good rather than all of the out of control pains, visions, and raving madness that could accompany them.
The most amazing thing she talked to me about, holding Western meds forced on her before she was thrown out of India into the arms of her family (who if they had not taken her out she would have been institutionalized, forcibly drugged with Thorazine or similar antipsychotics, warehoused, and forgotten there, she claimed) was how much the opalescentMOON now governed her moods, actions, and future. She had become "unmanageable" by consulate rules, so she had to be neutralized or sent back to the USA.
Triple moon symbol as gold charm
She feared it. She knew it even if she were to never see it again. I asked what she meant. She explained that the Moon has a profound effect on us on this planet, governing things (estrus, the ability to awaken, as with Siddhartha awakening on the evening of the full moon). It is more than Earth's calendar, making the months and seasons, not reflecting golden sunlight as we are told but emanating its own different kind of silvery light. The Zetetic scientists of the past proved this beyond on a doubt with demonstrable, reproducible, experimental published research.
She was not clear if the Moon was only a goddess, a sentient entity with powers, or a hollow world with beings in it directing their surveillance and energies at us from it. But when it waxed and rose, she was altered. She might dance naked like Shiva Nataraj with a message for the world embedded in postures and mudras, possessed as she would become by that spirit of Shiva, which she claimed was a real, literal being (blue extraterrestrial), not simply some historical or mythological figure.
I said to her at some point that "I want this." She said, "No, you don't! It's painful, it's horrible, it's unmanageable." "Yes, well, I'd manage it better with Ashtanga Yoga" (the "Eight Limbs of Union" with the holy spirit, prana, or subtle breath). "You think you would, but you can't. It's not to be managed. You think I want to take pharmaceuticals?" "No." "Well, I would rather take them than undergo what will happen to me without [chemical tranquilization]."
"But this awakening of the serpent Kundalini to rise from the base through the spine, energizing the chakras and gaining the siddhis or magical powers and samadhi, piercing and transcending the moving 'wheels' along the way, it seems to me that that's the whole point of our yogic aspirations." "What the hell are you talking about?" After arguing good/bad back and forth, I finally asked her, "Look, all right, I don't want it. But HOW did you do it? How did you get it to happen?" She shocked me with her answer.
You don't want sudden chakra openings
She looked at me like I was crazy and stress, "I didn't 'do' it. The Mountain did, somehow in connection with the Moon." "The 'Mountain,' what mountain?" "The Himalaya," she said and started crying to remember how she had gotten to Dharamshala and went off to sit under the full moon. And some guy had come along. "Aha! And then he attacked you?!"
"He didn't attack me. We talked, and I left, wanting to be alone. Then it happened. And I was aware of the Moon as it happened, and I knew the Moon was [or the beings in it were] aware of me [like a panopticon]." "And by Himalaya do you mean Mt. Everest or K2 or Kailash or Mt. Meru? Is there a special place for this one might go to?" I asked full of hope.
"No, you don't want this to happen to you." Foolishly, and I knew it was foolish, I kind of still did.
If I had to give one good reason to relist wolves on the endangered species list, it would be because they are a keystone species. Full stop. Their reintroduction will save the forest. The Native Americans knew it, and we forgot it and nearly lost all the wooded land. Now it's time to bring them back by protecting them as a vital part of nature. Join me in the campaign to save all animals but particularly the species central to the health of our woodlands.
An ecosystem is a biological community of interacting organisms and their physical environment. It includes all of the living things interacting with each other and non-living environments (weather, earth, sun, soil, climate, atmosphere) in a given area.
In an ecosystem, all species rely on each other, and each organism has its’ own niche or role to play. A keystone species is a plant or animal that plays a disproportionately large role in the ecosystem – impacting both the prevalence and population levels of other species within their community. More
Yes, this is good stuff. I will tell Xenon for sure.
(Virtuosity) Who's the greater musical genius, Beethoven or Mozart? The Fifth Symphony is hard to beat, dramatic as it is, but "Rondo Alla Turca" is a Mozart masterpiece that just might. Of course, it's dark apples to bright oranges.
Was it a huMAN invention or an EThereal inspiration? It's Wolfgang Amadeus Mozart's birthday today, Dec. 17th, and we are listening to the exquisite Turkish March.
Wolf-Am-Mo was a classical musician and composer who had no need of shooting wolves as he could tame any savage beast with just his music. His piano compositions are breathtaking. otherworldly, too good for just this planet. The whole solar system should be able to hear him.
In fact, he is so good that this planet takes him for granted and might forget him. Not so Los Angeles, which has KUSC.org (91.5 FM) to remind us on the air and online, thanks to the generous support of special philanthropists and ordinary donors to the radio station.
Mozart via Rob Radley, March 28, 2022; text and birthday wishes from Wisdom Quarterly
(Fazıl Say) Nov. 11, 2015: Wolfgang Amadeus Mozart's Piano Sonata No. 11 in A-Major, K.331
III. Alla Turca – Allegretto. The last movement, Alla Turca, popularly known as the "Turkish March," is often heard on its own and is one of Mozart's best-known piano pieces.
Mozart himself titled the rondo "Alla Turca." It imitates the sound of Turkish Janissary bands, the music of which was much in vogue at that time.
Various other works of the time imitate this Turkish style, including Mozart's own opera Die Entführung aus dem Serail.
In Mozart's time, the last movement was sometimes performed on pianos built with a "Turkish stop," allowing it to be embellished with extra percussion effects.
The form of the rondo is A-B-C-D-E-C-A-B-C-coda, with each section (except the coda) being repeated twice.
Recorded during rehearsal at Enka Kültür Sanat. Video by Mustafa Toygun Özdemir
Composing is always a form of improvisation -- with ideas, with musical particles, with imaginary shapes -- and it is in this sense that the artistic itinerary and the worldview of the Turkish composer and pianist Fazıl Say should be understood.
For it was from the free form with which he became familiar in the course of his piano lessons with the Cortot pupil Mithat Fenmen that he developed an aesthetic outlook that constitutes the core of his self-conception as a composer.
Fazıl Say has been touching audiences and critics alike for more than 25 years in a way that has become rare in the increasingly materialistic and elaborately organized classical music world. Concerts with this artist are something else. They are more direct, more open, more exciting. In short, they go straight to the heart because the same may be said of his compositions.
(But the real question is, Will the extraterrestrials like it? It might not make a bit of the difference to them, so we'd better stick with playing an analog (rather than digital) version of the original for them or as close as we humanly come to it, which will almost certainly mean finding some young Asian prodigy, preferably a child who just has a knack for the song and no understanding of the context.)
The day after the Trump election, the New York Times wrote: “America stands on the precipice of an authoritarian style of governance never before seen in its 248-year-old history.”
For many, [this kind of fearmongering after] the results of November 5th confirmed the view that we are in dark times. So the big question is:
What are we going to do? We can wallow in self-pity and depression, or we can find kindred spirits and organize and form alliances to not just resist the repression to come but promote progressive causes.
The Shock Doctrine: Rise of Disaster Capitalism
As feminist writer Rebecca Solnit [who is inexplicably unable to pronounce the word "women" (\wih-myn\) yet no one corrects her] says:
“Not acting is a luxury those in immediate danger do not have, and despair is something they cannot afford. But despair is all around us, telling us the problems are insoluble, that we are not strong enough, our efforts are in vain, and no one really cares.”
Hope, Solnit says, counteracts cynicism and pessimism.
(The Jimmy Dore Show) There is proof that Trump was targeted for assassination by the Deep State, proxies, or a patsy named "Iran"?
SPEAKER: Naomi Klein
Naomi Klein is a professor in the Department of Geography at the University of British Columbia, the founding co-director of UBC’s Centre for Climate Justice, and an Honorary Professor of Media and Climate at Rutgers University. She is a columnist for The Guardian. Her articles appear in leading publications around the world. The New York Times says, “She is that nearly extinct breed of activist: one who never stops questioning orthodoxies and interrogating her own beliefs.” She is the award-winning author of such bestsellers as This Changes Everything, No Logo, The Shock Doctrine, No Is Not Enough, and On Fire. Her latest book is Doppelganger (which she explains in this inspiring talk).
This is a real Texas security cam image showing a witch skin-walker? Wendigo? Hoaxer? Dogman? Werewolf/wolfman cryptid with odd gait for a man in a costume? (magazine.todo)
Nothing to see here. Oh, that? That's just light and shadow illusion. Tree stump? Loose bark?
.
The Buddha reasons with abusive Alavaka.
What does Buddhism know about cryptids? Buddhism, like the other older Dharmic religions Vedic Brahmanism (now morphed into Hinduism) and Jainism, have long history of acknowledging non-human creatures in, on, and above the earth. There are monsters, ogres, reptilians, shapeshifters, gnomes, fairies, avians, and giants (maras. yakkhas, nagas, petas, kumbhandas, bhumi-devas, garudas, and asuras respectively). Among these, the cannibal ghouls known as ogres (yakkhas, yakshas, rakshasas, yakshis, yetis) are very smart humanoid creatures.
They are able to communicate with humans, take human "wives," and be reasoned with except in their ferocity and rapacity. They are sometimes in possession of advanced ET technology and dwellings, with psychic powers and preternatural strength, fierce emotions and lust. They are very dangerous and liable to attack humans. The most famous one found in Buddhist sutras is the Yakkha Alavaka. Others dwell in the Himalayas and in woodland, forests, and wilderness areas.
Some Natives not only saw them, they interacted and sometimes intermarried. They're human.
Is the cryptid Yeti ("Asian Bigfoot") a man or a bear? It is a meh teh (a "man bear")
Joshua Cutchin/Timothy Renner
Dogmen (lycanthropes, humanoid wolves) are real, and the wendigo goes by many W names, according to different Algonquin tribes. Others may have the Sasquatch tribe (hominin cryptids) to contend with, some of which are cannibal rapists and skin-walkers. Not all Bigfoot are bad, just it seems the unattached juveniles wilding and running rampant in the forest, stealing food and violating boundaries.
Not simply an animal species
The elder yakkhas and rakshasas ("forest guardians," "nature protectors") -- with fierce females of the species, the yakshis and yetis -- can't always rein in the youths entering puberty or their rutting season and must cut them loose. They then violate a cardinal rule to avoid human tribes.
Because these creatures are not strictly flesh and bone but in possession of technology or the paranormal ability to transform into orbs, alight in the middle of a field after a long set of footprints or enter the earth through crevices, caves, caverns, tunnels, or straight into rock (as with the rock-dwelling Tahquitz), tracking them is dangerous and confounding. Search parties become cases of high strangeness.
Windigo: The Flesh-Eating Monster of Native American Legend | Monstrum
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Portals: Teleport in, phase shifted disappearances
(Storied) This cannibal monster (yakkha, yakshi, rakshasa, naga, yeti, sasquatch) hunts during the coldest time of the year, traveling with the snow to terrorize humans with its insatiable hunger.
Ignore folklore. Come into the woods
Armed with sharp claws and teeth and capable of running with incredible speed, the wendigo, or windigo, is a lesson in excess and a manifestation of the anxieties that emerge in the harsh realities of winter — to survive it.
Explore the symbolic interpretations of the wendigo with Dr. Emily Zarka, who explains how this Native American legend can teach us about the spiritual beliefs and social values of the early indigenous peoples of North America.
Huge thanks to Dr. Will Oxford (Department of Linguistics at the University of Manitoba) for his time and assistance with the various pronunciations and spellings of the Algonquian languages used in this episode.
Islam knows wilderness monster jinn (djinn, genies)
Ancient Asian depictions of ogres (the jinn, djinn)
Killer origins of the werewolf | Monstrum
(Storied) Long before a full moon could transform a human into a beast, the werewolf (lycanthrope) was present across the literature, lore, and mythologies of ancient Europe. Whether a punishment for the wicked, a cure for the unlucky, or a blessing for the strong, the human to wolf shapeshifter is almost always violent. Real wolves posed a real threat to humans and their livestock, but how did these predators come to be associated with cannibalism, sorcery, and mental illness (lunacy)? The first in a two-part series, featuring werewolf expert and Gothic scholar Dr. Kaja Franck, this episode tackles the rise of the werewolf in its myriad forms, looking at what happened when Catholicism/Christianity interceded and turned the werewolf into the embodiment of evil — a change that reached its devastating climax with the persecution and execution of accused werewolves and the murder of countless wolves. #werewolf #mythology #werewolftrials #MonstrumPBS
The jinn are as real to Muslims as drags were to ancient Christians
Algonquian Spirit: Contemporary Translations of the Algonquian Literatures of North America, Ed. Brian Swann, University of Nebraska Press, 2005.
Atwood, Margaret. Strange Things: The Malevolent North in Canadian Literature, Clarendon Press, 1995.
Barnick, Adam. “The Shape of the Wendigo.” Glass Eye Pix, YouTube, 17 Oct. 2015, • THE SHAPE OF THE WENDIGO.
Blackwood, Algernon. “The Wendigo.” The lost valley and other stories…Illus. W. Graham Robertson, Vaughan & Gomme, 1914, pp. 71-132.
DeSanti, Brady. “The Cannibal Talking Head: The Portrayal of the Windigo ‘Monster’ in Popular Culture and Ojibwe Traditions.” Journal of Religion and Popular Culture, Vol. 27, No. 3, Fall 2015, pp. 186-201.
Englehart, Steve. “Spawn of the Flesh-Eater!” The Incredible Hulk, Vol. 1, Issue 162, April 1973.
Bigfoot and the Tripwire
Harring, Sidney. “The Wendigo Killings: The Legal Penetration of Canadian Law into the Spirit World of the Ojibwa and Cree Indians.” Violent Crimes in North American, Ed. Louis A. Knafla, Praeger Publishers, 2003, pp.75-104.
Johnson, Basil. The Manitous: The Spiritual World of the Ojibway, HarperCollins, 1995.
Schwarz, Herbert T. Windigo and Other Tales of the Ojibways, Illus. Norval Morrisseau, McClelland and Stewart Limited, 1969.
Smallman, Shawn. “Spirit Beings, Mental Illness, and Murder: Fur Traders and the Windigo in Canada’s Boreal Forest, 1774 to 1935.” Ethnohistory, Vol. 57, No. 4, 2010, pp. 571–596.
“The Orders of the Dreamed”: George Nelson on Cree and Northern Ojibwa Religion and Myth, 1823, Eds. Jennifer S.H. Brown and Robert Brightman, Minnesota Historical Society Press, 1988.
Vess, Charles. “Cry of the Wendigo!” Amazing Spider-Man, Vol. 1, Issue 277, June 1986.
Windigo: An Anthology of Fact and Fantastic Fiction, Ed. John Robert Colombo, Western Producer Prairie Books, 1982.
Written and hosted by Dr. Emily Zarka. Director: David Schulte. Executive Producer: Amanda Fox. Producer: Stephanie Noone. Illustrator: Samuel Allen. Editor: Produced by Spotzen for PBS Digital Studios. Instagram: monstrumPBS
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