Admit it: no one really reads the endless terms and conditions connected to every website we visit, phone call we make, or app we download. No one can. But every day, billion-dollar corporations are spying and learning more about our interests, our friends and family, our finances, and our secrets...
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| I f'd the country, it's true, maybe even the world. But I made a billion doing it, mo-fo's! Selling out to the CIA, NSA, FBI, and MIC pays big. Ask Jobs, ask Gates, ask... Oh, I've said too much. See you online...even if you don't see me seeing you, lol! Don't watch The Social Network. |
Not only are they selling our information to the highest bidder, they are freely sharing it with the government (NSA, CIA, DHS, Pentagon, FBI, member corporations, or any of the many arms of the military-industrial complex). And you "agreed" to it when you clicked SUBMIT.
With fascinating examples and so-unbelievable-that-they're-almost-funny facts, filmmaker Cullen Hoback exposes what governments and corporations (together referred to as the military-industrial complex) are legally taking from us every day -- making the future of both privacy and civil liberties uncertain.
From whistleblowers and investigative journalists to zombie fan clubs and Egyptian dissidents, this disquieting exposé demonstrates how everyone has incrementally "opted-in" to a real-time surveillance state, click by click. However, it also explains what, if anything, can be done about it.
CULLEN HOBACK grew up in L.A. At 17 he started his own public access late night TV show but was kicked off the air for making offensive statements that angered some viewers. Hoback enjoyed sharing his perspective on strange and unfamiliar topics. In college he produced short films and a feature when digital cameras first came out. At 21, he made “Freedom State,” a comedy that captures the daily life of individualists who live “on the edge of the world.” Another narrative feature he made was “Friction,” a film about summer camp members who enact a scripted tale as the line between utopia and entity blur. In 2007, he was granted a budget to direct the LARPing documentary “Monster Camp,” which featured social outcasts coming together to create a community where magic is real and identity is limited only by imagination. In 2011, Hoback came back to the screens to create his documentary “Terms and Conditions May Apply.”
